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Booker Stardrum, Close-up On The Outside, We Jazz ***

Booker Stardrum photo: We Jazz on Bandcamp

Don’t know much about drummer Booker Stardrum who has been making his own recordings as a leader for a decade and more. He was in SML, a project with bassist Anna Butterss, synth player Jeremiah Chiu, saxophonist Josh Johnson and guitarist Gregory Uhlmann.

Above: A bit of footage of Stardrum from 2020 with Dustin Wong and Chiu recorded at a place called Zebulon in Los Angeles.

Close Up on the Outside involves  Butterss and Chiu plus Chris Williams, Lester St. Louis, Logan Hone and Michael Coleman.

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But the way it is framed means the sound is more about a single vision. You get a strong sense of production.

Field recordings are fed into a sound that is quite avant garde. But it’s not a maelstrom or very challenging music and yet is intriguing on a certain intellectual level given its freshness.

It’s quite soothing – the use of balafon on the title track sees to that a bit. But it’s not complacent music or under conversation at all and that is to its credit. It’s fundamentally about rhythms and is fine on that level.

But I struggled to find enough top lines to really build on the base of the sound when it appealed in certain passages. So if Close Up on the Outside has a fault – and it is quite flawed – it is that it feels a bit undercooked compositionally. That said, the big track is ‘Hover’. The whole album needs a few more like it to be more substantial and in the end truly satisfying.

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