This is what issuing label Ropeadope say about the release, which will be released in August:

Tim Ries has held down the saxophone and keyboard chairs with The Rolling Stones for the past 21 years, all the while espousing his love of Jazz on his own projects and shows. In 2005 he hit the studio with a cast of greats - Jack DeJohnette, Bill Frisell, Larry Goldings, Grégoire Maret, James Genus and Scott Colley - and recorded a master work. Tim waited to release it as his mother was very ill during the recording, and sadly passed soon after its completion. And now, fourteen years later, Life Changes from Tim Ries is ready for release. The title speaks to the events that brought him to this point, with reference to his daughters Bella, Eliana, and Jasia (who performs on the album), and the dedication to his mother Edith Ries. The story is unique, and we all get a glimpse into the past with some of the best players on the planet. And yet the story quickly moves away as you listen; Life Changes could well have been recorded yesterday in its adventurous and grand style. 

Everything seems like an ad these days... this is from a YouTube ad and yet it is also news, well certainly striking anyway, because who puts out a 24-disc box set any more anyway? Bill Bruford led in Earthworks one of the best small jazz groups by a famous rocker ever. Earthworks Complete released by Cherry Red surely is the fullest story conceivable of a great group and by the look of it was put together with a lot of love and attention to detail. The entire back catalogue across the band’s 20-year career is chronicled. Earthworks featured Bill Bruford with Iain Ballamy, Django Bates, Patrick Clahar, Laurence Cottle, Tim Garland, Steve Hamilton, Tim Harries, Mark Hodgson, Mick Hutton and Gwilym Simcock among its cast members over the years. Its style was far from the bombast of prog rock and managed to harness that bittersweet Englishness lurking within Bruford’s compositional ideas while at the same time providing a relatively high profile platform for a range of up and coming jazz musicians many of whom are now very well known as leaders in their own right. Bruford always showed great taste in putting together his bands and the records are the hard and fast evidence. Oh, the artwork still looks a treat and Bruford remains a magnet for drummers everywhere.

No date yet but an interesting one this confirmed as an upcoming release by Babel label’s Oliver Weindling. Duarte is a Portuguese composer and guitarist on the London scene for over a decade and a half. I do not know the confirmed personnel for the recording that Babel will put out but the orchestra has included, as you can spot above in the video, an extraordinary array of top talent coming up with a sound that strikes me as Loose Tubes-meets-Sun Ra.

Look: on alto saxophone/soprano/flute there’s Chris Williams from Led Bib; Alto saxophone/flute/piccolo – Julie Kjaer; Tenor saxophone – Rachel Musson; Tenor saxophone – Dan Mays; Bass clarinet – Tom Ward; Baritone saxophone – Joseph Stout; Trumpet – Noel Langley; Trumpet – Yazz Ahmed; Trumpet – Andre Canniere; Trumpet – Henry Spencer; Trombone – Paul Taylor; Trombone – Ed Reiband; Trombone – Raph Clarkson; Bass Trombone – Olivir Haylett; Tuba – Ben Kelly; Bass – Ben Bastin; Keyboards – Danny Keane; and Drums – Jon Scott.

 

Well, The People I Love by Steve Lehman looks like a kind of event. It does not sound like a reheated version of the past, does not try to be a ‘classic jazz’ record and from what I’ve heard is far more immersive a listen and gets right inside you like few new releases at the moment. In other words this is not fake.

The altoist has a tart slightly dour sound that has a certain gravitas to it without being at all self-conscious, and in the past he has run his fertile imagination over a broad range of music from African hip-hop to French spectral music.

This new album is closer to his jazz roots than some of his previous records and finds Lehman with the Robert Glasper drummer Damion Reid, bassist Matt Brewer and pianist Craig Taborn. Tunes on the record include a version of Kurt Rosenwinkel’s ‘A Shifting Design’ and Kenny Kirkland’s ‘Chance’ and among the pre-release tracks you can hear on Bandcamp there is a remarkable version of ‘qPlay,’ by electronica mavens Autechre — I hear it as a non-literal translation which has a lot of depth to it and a great respect for the jazz ballad tradition even while dressed in such modernistic clothing. Look for The People I Love on the Pi label at the end of August. SG

Full of familiar standards: ‘All The Things You Are,’ ‘Blue In Green’ and ‘Dolphin Dance’ chief among them but don’t feel that you have heard it all before because with Kenny Werner there is a certain intricacy and resolution of familiar situations into something more approaching adventure and this is no different. The harmonic journeys he takes the themes on only he knows the map for, and that touch and intimacy he delivers time and time again makes this solo piano record such a fascination.

Fêted UK saxophonist and clarinettist Alan Barnes celebrates his 60th birthday by releasing a themed 1959 album.

Eleven classic compositions from 1959 arranged by trombonist Mark Nightingale are included, compositions by Duke Ellington, Thelonious Monk, John Coltrane, Horace Silver and Gerry Mulligan among others. 

On the record Barnes (alto and baritone saxophones, clarinet and bass clarinet) is joined by Pat White (trumpet), James Copus (trumpet and flugelhorn), Mark Nightingale, Gordon Campbell (trombone), Howard McGill (alto saxophone and clarinet), Robert Fowler tenor saxophone, clarinet and bass clarinet), Andy Panayi tenor saxophone, flute and clarinet), Mick Foster (baritone saxophone and bass clarinet), Robin Aspland (piano), Sam Burgess (bass) and Matt Skelton (drums).

Look for it on Woodville Records to be released on 12 July. Barnes plays this year’s Scarborough Jazz Festival on 20 September.