If anyone can keep bebop relevant and turn its twists and anarchy into a music still fit for the 21st century it is alto sax genius Zhenya Strigalev and guitarist Federico Dannemann, returning from Blues for Maggie, with a great bass and drums team in Luques Curtis and Obed Calvaire. Recorded in a studio in Russia The Change (Rainy Days) is the first since Strigalev moved back to his native Russia after a great spell in London where you could depend on him to enliven a jam session at the drop of a hat in places like the now defunct Hoxton club Charlie Wright’s where back in the day Strigalev first played with Calvaire and Curtis. Strigalev’s best album to date? Yes I think so. The tunes really stand up and the yin and yang of sax and guitar work well, Dannemann an expert at colour while Strigalev manages to inject extra tenderness to his wildly virtuosic saxophone expertise to elevate this beyond a showboating display of technique. SG
Photo of Zhenya Strigalev by Eugene Petrushanskiy. UK release 28 June.
A first listen to the latest from Graviton, pianist Andrew McCormack’s band, and the title track above drawn from their pulsating second album, The Calling released this week — McCormack with Noemi Nuti on vocals, Josh Arcoleo on tenor saxophone, Tom Herbert on electric bass and Josh Blackmore on drums.
You always get a spiritual frisson from listening to a Tori Freestone record and El Mar de Nubes is no different. With spare bass and drums accompanying the saxophonist, there is a stark stillness to the record and plenty of space for her striking style. Inspired by the Canary Islands’ “sea of clouds” tracks include originals, traditional material, and a version of Sam Rivers’ ‘Beatrice’. All eminently listenable, but I get a samey feeling following on from earlier albums. Time to throw caution to the wind next time around and shake things up? For sure. SG.
Tickets go on sale on Friday for the just announced Ronnie Scott’s Jazz Club 60th anniversary concert at the Royal Albert Hall to take place on 30 October. Van Morrison, Courtney Pine, Imelda May, Madeline Bell and Liane Carroll are among the line-up. Ronnie Scott’s managing director Simon Cooke said: “We are transporting the club, for one night only, into the slightly larger Royal Albert Hall, but have every intention of recreating the unique atmosphere we have here in Frith Street.” Royal Albert Hall, above. Photo: marlbank