John McLaughlin and the 4th Dimension

Now Here This

Abstract Logix ****

This is a deceptive release. Listen to the first tracks ‘Trancefusion’ and ‘Riff Raff’ and you’d swear the record was a generic jazz-rock fusion album with Ranjit Barot adopting the Billy Cobham role, and McLaughlin not sounding like himself at all. But everything changes from ‘Echoes From Then’ on, as Etienne M’Bappé steers the band on a loping, boogie-ing tilt, and Gary Husband moving into more open improvising territory. M’bappé produces a lovely figure at the beginning of ‘Wonderfall’ and so, lo and behold, the album suddenly becomes much more tender and approachable. ‘Not Here Not There’ is where McLaughlin really opens up in terms of expression rather than firepower, utterly remarkable at 70 or any age.  

Released on 15 October

Preservation Hall Jazz Band

St Peter & 57th St

Rounder ***

Marking 50 years of a trad jazz institution recorded at Carnegie Hall in January St Peter & 57th St is a starry gathering with Allen Toussaint, Steve Earle (a big highlight on ‘Taint Nobody’s Business’) and remarkably Merrill Garbus of the toggle-case loving Tuneyards. Check your deeply ingrained ideas about trad at the door or you’ll miss out on a few gems here.

Released on 24 September

The Cloudmakers Trio with Ralph Alessi

Live at the Pizza Express

Whirlwind ****

Recorded in 2010 this classy release, with great artwork and live sound faithfully captured by the Pizza Express’ sound engineer Luc Saint-Martin complementing the quality of the musicianship at play, the Cloudmakers allow once more a good hard look at Jim Hart’s outstanding vibes playing. The existential, at times admittedly overly-serious, sound of trumpeter Ralph Alessi is the main thing you’ll hear upfront on many of the tracks, but there is a complex set of rhythms at play from the trio that demands more detailed listening, as anyone who has heard bassist Michael Janisch play in whatever context over the past five years will testify to. Outhouse’s Dave Smith is typically capable, and this release will also do much to raise the profile of Whirlwind not just for the undoubted taste it brings to its output, but also the label’s improving presentation, something that many indie jazz labels don’t think hard enough about. 

Released on 10 September

Stephen Graham

Here’s a book, Soul Unsung: Reflections on the Band in Black Popular Music, crying out to be written. And who better to write it than Kevin Le Gendre. It’s the award winning music writer’s first book, although his essays have appeared between hard covers before, for instance in the anthology Ic3: The Penguin Book of New Black Writing in Britain edited by Courttia Newland and Kadija Sesay, published a dozen or so years ago.

Soul Unsung, to be issued with a slightly different title in the States, was published in the UK on 1 August by the Sheffield-based Equinox, who have already published important jazz-related books on Lee Morgan and Ian Carr to name but two. I, for one, am looking forward immensely to reading Kevin’s book, as the Tottenham-based writer has that rare ability to make you think that bit harder, and feel that bit more deeply about jazz, and its position within the bigger socio-economic and cultural orbit. 

The book “celebrates the contribution of players of instruments to soul", and “offers insights into the state of contemporary soul and its relationship with jazz, rock and hip-hop," according to the blurb you’ll find on Amazon. The great jazz writer Ashley Kahn says this of the book: "Le Gendre does a yeoman’s job — with the creative approach of a songwriter and the uplifting spirit of a Sunday preacher — at unveiling the long-hidden history of the legendary instrumentalists of the Golden Era of Soul. A must-read for any student of culture." Praise indeed. 

Stephen Graham

Kevin Le Gendre, pictured

Brian Eno (above) is to remix live at September’s Punkt festival in the southern Norwegian city of Kristiansand.

Eno, the festival’s artistic director for 2012, doesn’t often appear on stage these days, and will take to the Alfa Room, the live remix room at the heart of the festival renowned for the immediate remixing of live sets by a variety of complementary artists.

Alfa is like a stage and studio hybrid, an extension of festival curators Jan Bang and Erik Honoré’s concept in integrating live sampling and live electronics, with remixing at its core.

Other artists set to appear are: Cyclobe, Stephen Thrower and Ossian Brown’s electronic project founded in 1999 playing only their third concert; Malian guitarist/n’goni player Guimba Kouyaté; singer/composer Ebe Oke, who Eno has collaborated with in recent years; Iceland-based Australian electronicist Ben Frost; Canadian violinist Owen Pallett; live ambient remixers Marconi Union; Icelanders glitch electronica outfit Múm; and noisniks Three Trapped Tigers.

Stephen Graham