There is something very intimate and thought provoking about this duo album from Welsh pianist Huw Warren and his former Perfect Houseplants colleague saxophonist Mark Lockheart. New Day — Live at Livio Felluga Winery just released on the Italian CAM Jazz label was recorded last year. Full of Warren originals plus compositions by John Taylor there is a pervasive stately presence throughout that gives what they produce a gravitas that you do not always find on a contemporary jazz record but notwithstanding this there is also a playful joy to Warren’s spirited runs which Lockheart, like his fellow saxophonist and contemporary Iain Ballamy, also manages to conjure in playful spirit delivered with great control and tone to die for. I will be surprised if this does not turn up on many end of year best-of lists. It’s that good. SG.
George Cables delivers a masterclass on his new standards strewn premier cru of a trio album I’m All Smiles issued by HighNote out this week, the great pianist in the company of Essiet Essiet on bass, and Victor Lewis, drums. Tracks are: Young at Heart, I’m All Smiles, Speak No Evil, Bésame Mucho, Ugly Beauty, Love is a Many Splendored Thing, Celebration, Three Views of a Secret, Thermo and Monk’s Mood.
A stand out of this week’s new releases comes from bass great Ron Carter who has collaborated with Tony-winning Def Poetry Jam co-founder/painter Danny Simmons on new Blue Note album The Brown Beatnik Tomes — Live at BRIC House, the album’s selections are drawn from Simmons’ 2014 book of poems and paintings The Brown Beatnik Tomes. Check ‘For a Pistol’ from the album, which is inspired by Amiri Baraka.
A delicious hitherto unreleased Swiss recording from 1999 named after an Ornette Coleman tune that Paul Bley had been playing since the Hillcrest days it is worth noting how different sounding this trio comes across when compared with today’s typical piano trio. This has far more of a fractured and abstract sense than most piano trios today who tend to be more rock or electronica-influenced and who often tend to lean towards a sweeter sense of melody. Bley, Peacock and Motian are never far away from bebop and yet there is nothing dated about their performance or approach here: Bley elegiac and hugely modernistic in his solos, Motian a scampering, engaged, presence leaving it to Peacock to find hidden spaces to draw out and angle the trio in a new direction as each tune develops.
‘There (Reversed Lullaby)’ is a new single issued ahead of the release of Loredana by the vocalist Emilia Mårtensson the album to be released by Babel also featuring guitarist Luca Boscagin, percussionist Adriano Adewale, trumpeter Fulvio Sigurta and bassist Sam Lasserson. Emilia launched the single at Pizza Express Jazz Club, London on 29 May.
Mesmerising sounds here from flying Finns Timo Lassy & Teppo Mäkynen drawn from their self-titled album coming up on the WeJazz label in June.
Straying away towards a more spiritual direction on some tracks from the hard bop terrain you will often hear the sax/drums pair inhabit, the two have not recorded like this before although have played together often in such bands as The Five Corners Quintet and the Teddy Rok Seven. Worth a spin.
From the Peter Frampton Band’s new instrumental version of the standard ‘Georgia On My Mind’ featured on All Blues, which will be released in June with the rock star’s band of Adam Lester on guitar and vocals, Rob Arthur (keyboards/guitar/vocals) and drummer Dan Wojciechowski among the personnel.
Pianist Michel Camilo has his 25th album, Essence, as a leader released next month on a label called Resilience Music Alliance. Check out a slice of it above. It is fairly rare to hear Camilo with his own big band. “I picked songs,” he says, “that represent shifts in my career and my point of view, that showcase how I developed my sound. I’ve always thought of the trio as a mini-orchestra, so the big band is a way to celebrate my career and my journey with a group of friends creating together in the studio.”