This has the feel and touch of a Pat Metheny and Lyle Mays collaboration back in the day, a world away from the crash bang wallop of heavy groove and instead more a journey into dreamy soundscapes, delicate harmonies, and pastoral imaginings.
There is clear empathy from Foran and McCallum, each finishing the other’s sentences where necessary.
Recorded some five years ago this has been maturing in the vaults for a while. Boosted at strategic points by the drums of John Parker and bass of Sam Vicary above all this is an intimate journey, full of harmonic pleasures, the musicianship has a real quality to it and what is more the compositional flow goes somewhere and the melodies linger long. SG