Taken from the album Bloom to be released by Whirlwind next month featuring drummer Jeff Williams with pianist Carmen Staaf and double bassist Michael Formanek Williams is quoted by his label as saying: “I grew up listening to many piano trios, especially Ahmad Jamal’s from around 1958–1962 – so that influenced my playing. But there’s no fixed concept, and this was simply a case of ‘Let’s see what we can do with it’. I’ve always played with people who inspire me, enjoying the conversation, going into some depth; and often thinking about the musicians, rather than the instrumentation. So I hope Bloom will allow us to flourish in pursuing this trio further.”
1/ Circuits by Chris Potter
2/ Gold by Human Feel
3/ Love Hurts by Julian Lage
4/ Reflections and Odysseys by Rymden
5/ Imaginary Friends by Ralph Alessi
6/ The Transitory Poems by Vijay Iyer and Craig Taborn
7/ Fyah by Theon Cross
8/ Avec le Temps by Giovanni Guidi
9/ Infinity by Tom Harrell
10/ Ninety Degrees Gravity by Trish Clowes
Dexter’s widow Maxine, responding to the honour said: “When Dexter Gordon recorded the album GO on Blue Note Records in 1962, he had no idea that it would become the classic jazz album it became. He loved the album because of the musicians Sonny Clark, Butch Warren, and Billy Higgins who, as he said, ‘played as one sound.’ I know Dexter would be honoured and delighted with this honour.”
More // Full list of other artists honoured.
Agile interplay from Norwegian duo pianist Eyolf Dale and reedsman André Roligheten, formerly known as Albatrosh, Departure is to be released by Edition in May.
It's a 26 April release for new album Ninety Degrees Gravity by acclaimed saxophonist composer bandleader Trish Clowes. Fronting her My Iris band the album is released by UK jazz indie Basho.
Oblique, a little reminiscent of the style of Iain Ballamy, this complicated music, prog-like in places always pushes ahead and Clowes has plenty of firepower at her disposal plus lots of timbral resource complete with a careful command of contemporary jazz language that besides Ballamy also is reminiscent of some of Wane Shorter’s methodology.
Strong on both group interplay and compositional skill this is one of the most outstanding new UK jazz albums to be released this year.
Clowes has been selected to perform at the Made in the UK series to be held in New York state later in 2019 and she will be touring the album in May and June in the UK. SG
Ross Stanley, above left, James Maddren, Trish Clowes and Chris Montague.
This is all about romanticism and beauty, a naturalistic arc at play always with the Italian pianist Giovanni Guidi, this latest studio album recorded in France extending his core unit by adding sax and guitar on a few tracks. Opening with the Léo Ferré-penned title track immediately we are in richly melodic territory and Guidi has that impossibly persuasive touch that invites us warmly in, the bass of Thomas Morgan almost desultorily picking out wistful ideas towards the end. Most of the tunes are Guidi’s and while the extra players bring variety I think the charm of the album lies in the trio tracks. A nice touch is the homage to the late Tomasz Stanko at the end. SG
There is an elegiac mood in this remarkable two-piano album from Iyer and Taborn, certainly in the spread of memorialising pieces, the choice of Cecil Taylor’s words in the title, and the all-pervasive sombre mood. But instead of grim endeavour carried through in a spirit of worthiness there is an alert, spirited life force at play and a great understanding that the two demonstrate of each other’s method and ideas. Recorded live in Budapest the live setting gives this a taut electricity and strength, all the tunes are Iyer and Taborn’s with a treat at the end reserved for Geri Allen’s ‘When Kabuya Dances’. If you want to know what the state of the art of jazz piano is look no further than this fine achievement by two masters at work. SG