Orphy RobinsonThe National Jazz Youth Orchestra has announced details of a new scheme called the NYJO Jazz Exchange which is a two-year national project which NYJO says is about “encouraging young professional musicians to take charge of their artistic voice.”

To begin next year ten musicians will be supported by mentorship, regular rehearsals, paid performances and masterclasses with the first ensemble to be coached by vibist Orphy Robinson MBE, pictured above.

The initiative is funded by Arts Council England and the Peter Sowerby Foundation. 

Austrian saxophonist, flautist, bandleader and educator Karlheinz Miklin died on Saturday afternoon following a stroke. He was 72. The Carinthian culture minister and governor Peter Kaiser expressed his deepest sympathy to Miklin’s family and said that Carinthia has lost an inspirational cultural ambassador.

Miklin appeared in numerous projects, including with Albert Mangelsdorff, Art Farmer, Mark Murphy, Horace Parlan, Mel Lewis and Barre Phillips and appeared at festivals all over Europe during a long career. From 1983 to 2000 he led the jazz department of the Graz University of Arts. 

I will be updating my pick of the year so far soon to add Carib. It is one of those albums where everything just gels.

To be frank I had forgotten about Sánchez in recent years. I used to like his gutsy, powerful, natural sound a lot in the 1990s and interviewed him once for a long forgotten magazine called Jazz on CD.

Somehow however contemporaries like Danilo Pérez have become much higher profile. The Puerto Rican taps his homeland and Haiti for inspiration that connects with his 1990s self on albums like The Departure. Sánchez also manages to make the connection between the Caribbean and the US a seamless one, Dizzy Gillespie knew how to do that years ago and that style still makes sense.

The album has its poignancy. Sánchez says: “This album is in memory of my father, Dimas and especially, my late wife Karla. After a great deal of research and listening to Haitian music, Karla encouraged and helped me take a trip to Haiti. It was an incredible and intense experience, seeing everyday people’s struggles. She felt like it was important that I had this direct contact with Haitian culture. I feel like this recording wouldn’t have bee possible without her wisdom, sensibility and love. Even if she wasn’t physically around when I was in the studio, she was constantly present in many different forms and definitely a key component of this album’s vibe.”

Check Carib out above: drummer Obed Calvaire, guitarist Lage Lund, bassist Ricky Rodriguez, and pianist Luis Perdomo who plays the Fender Rhodes on just under half the 11 tracks join the saxist. It is simply a thrill. SG

It is quite preposterous really how much pitch bending courtesy of guitarist Mark Wingfield is going on here... and it is also quite staggering how much empathy and sheer power he and long time Billy Cobham and John McLaughlin keyboardist Gary Husband generate. Tor & Vale is out next month and going by the generous example of the lead-off tracks will make the jazz-rock & prog fan in your life inordinately happy.

Dedicated to Umberto Eco, a friend of accordionist Gianni Coscia, Eco’s 2004 novel The Mysterious Flame of Queen Loana inspired reedist Trovesi and Coscia on this new record to be released by ECM on 21 June. Listen to New Orleans classic ‘Basin Street Blues’ above. 

Radically different from any album you will hear on current release This Land Abounds With Life (Biophilia) is essentially a piano trio album but you hardly realise. Pianist Fabian Almazan with his wife Linda May Han Oh (acoustic/electric bass) and Henry Cole (drums) shape a strong Cuban theme, and there is a certain power and widescreen compositional vision (a little birdsong too!) that make this stand out. It avoids trio clichés and has a strong percussive fix that contributes to the wealth of ideas on the album. Almazan is an extraordinary pianist and this album underlines that fact once again.

Great booking for the Soho Jazz Festival, back on again next month, with saxophone legend the 90-year-old Benny Golson who is also one of the most significant composers in jazz appearing, his work including ‘Whisper Not’, ‘Stablemates’ and ‘I Remember Clifford’. Dates are 12 and 13 July. Check out the rest of the festival running from 5-15 July too, Melissa Aldana and Joel Ross, Lew Tabackin and Goldings/Bernstein/Stewart also appear. Details

This blasts out of the speakers. Worth saying, so much contemporary jazz is pretty quiet. A lot of production has gone into this record by trumpeter Theo Croker, samples and spooky echoes abound. Croker has great tone and a sense of attack on the track above and if you like Christian Scott you will probably enjoy his similar approach. Bassist Eric Wheeler and drummer Kassa Overall are used well and Irwin Hall on alto sax gives the front line firepower, I’d prefer the album as fully instrumental my only caveat, none of the vocals contributions really connected with me. However, the Elew feature at the end on the pulsating ‘The Messenger’ really shows where Croker’s heart lies, beefy hard bop with a moody edge and if the whole album was as compelling as this then even better.

Interpretations of Brel crop up surprisingly often on jazz vocals album. This goes a step further and gathers a stellar crop of singers for a Larry Klein produced songbook album to mark the 90th anniversary of the great Belgian singer-songwriter’s birth. Melody Gardot, Madeleine Peyroux, Marianne Faithfull, Thomas Dutronc, etc etc are all included. Not everything hits the bull’s eye but Gardot steals the show. Out on Decca.

Casteneda and Maret

You may well search hard and long but may probably never find two more virtuosic musicians deliver a new album in a set-up which is so very unusual. Swiss-born harmonica wizard Grégoire Maret and Columbian harpist Edmar Castañeda however keep things loose and erect no barriers to listening and this is far from a showboating exercise because it is so bluesy and laidback from the off.

Tunes lean towards originals and gems like a stately version of ‘Our Spanish Love Song’ by Charlie Haden and the Brazilian standard ‘Manhã de Carnaval’ by Luiz Bonfá also make the cut. Guests are Béla Fleck, another once in a lifetime virtuoso, and fine singer Andrea Tierra do not crowd in too much. Maret has the unique ability to speak to you like a singer might and for instance on Tierra vocal track ‘Acts’ matches the singer in tenderness and kind. Castañeda keeps marvellous time and brings a gravitas to the record and when he opens up say on the Bonfá standard shows how natural an improviser he is. Tailor made for radio play this has a gentle easy listening appeal but there is more grit and meaning than a gentle, indulgent stroll and is a pleasure from beginning to end. SG. photo: ACT