Lots of new bands flicker on the Sheffield scene activity radar coming up including appearances at the Lescar by Elegies, Rafe’s Dilemma and relative veterans Sloth Racket. Bobtail appear later in the series, as do Forj and towards the end of September Archipelago x J Frisco. Full details via the Jazz at the Lescar website.
Not a lot to go on so far about Short Stories by Michel Reis, the cover of which is above. To be issued in mid-October by Italian label CAM Jazz it is solo piano only and of the pieces eight were written before going into the studio, the remaining six are free improvisations. Reis is from Luxembourg and studied classical piano, jazz piano, composition and theory in Luxembourg and Boston at Berklee before moving to New York. He will be playing in trio mode under the Reis Demuth Wiltgen auspices in Liverpool at the Capstone theatre on 15 November. Tickets.
“The album,” the Belfast scene pianist, composer and organist Scott Flanigan, pictured above second from right, says, asked about his latest plans “will be called Clouded Lines, and it’s named after the suite of music co-commissioned by Moving On Music and the PRS Foundation. After a successful tour of Ireland in March, it’s now ready to be recorded. The suite, in three parts, was written with guitarist Ant Law in mind, and reflects an interest in hard swinging jazz… with a few noisier tunes in there too. The rest of the band includes two of Ireland’s finest rhythm section players: Dave Redmond on the bass and Kevin Brady on the drums.”
photo: courtesy Scott Flanigan
Coming up in Band on the Wall, are: Sarathy Korwar (26 September), Kurt Rosenwinkel Bandit 65 (29 September), Joe Armon-Jones (11 October) and AKA trio (21 November). Tabla player Sarathy Korwar released his second studio album in July titled More Arriving, which marked a switch from Gearbox Records to the Leaf Label. Korwar’s website noted ahead of release: “This is not necessarily a record of unity; it is an honest reflection of Korwar’s experience of being an Indian in Britain, and as such is a leap forward from his previous releases, incorporating rappers from Mumbai and New Delhi, spoken word and his own Indian classical and jazz performances. More Arriving is a record born of confrontation; one for our confrontational times.” Click to book ahead via the Band on the Wall, Manchester website.
A new chapter begins. Historic first Hancock institute competition. Details via the press release:
2019 Guitar Competition To Take Place December 2-3 in Washington, D.C.
Applications due October 11, 2019
Washington, D.C —The Herbie Hancock Institute of Jazz International Competition will be presented on December 2-3 in Washington, D.C. Open to musicians age 30 and under from across the globe, this year’s competition will shine a spotlight on the guitar.
For over three decades, the Thelonious Monk Institute of Jazz Competition played a pivotal role in identifying and empowering the next generation of jazz musicians, educators, and influencers. Building upon this important legacy, the newly minted Hancock Institute Competition represents a changing of the guard for one of the jazz world’s most renowned institutions.
The Semifinals of the 2019 Guitar Competition will be held on Monday, December 2nd, from noon to 5:00 p.m. at the Smithsonian Institution. The semifinalists will compete before an all-star panel of judges including jazz guitarists Stanley Jordan, Russell Malone, Pat Metheny, Chico Pinheiro, Lee Ritenourand John Scofield. Each semifinalist will perform for 15 minutes accompanied by a professional rhythm section.
From this group, the judges will select three finalists who will perform in the final round at the John F. Kennedy Center for the Performing Arts on Tuesday evening, December 3rd. At stake is more than $150,000 in scholarships and prizes, including a $30,000 first place scholarship and guaranteed recording contract with Concord Music Group; a $15,000 second place scholarship; and a $10,000 third place scholarship.
According to Institute Chairman Herbie Hancock, whose career epitomizes the ideals of the jazz tradition and innovation, “We look forward to discovering and hearing from the next generation of young jazz guitarists, with their innovative styles and unique approach to the music. We are particularly excited to pay homage to the guitar, which has a rich and colorful history that continues to play a pivotal role in the development of jazz. I have no doubt that this year’s Competition will show that the future of this instrument, and of our music, is in good hands.”