Check the live version above of the opening track of upcoming Leo Richardson album Move to be released in August by Ubuntu. With eight original compositions included on the release Richardson has Rick Simpson on piano, Tim Thornton on bass, and Ed Richardson on drums + a guesting Alex Garnett. Richardson launches the album at the Pizza Express Jazz Club on 6 August. Tickets.

 

Called Spectrum and only the charismatic jazz-rock Japanese pianist Hiromi’s second solo piano release after Place to Be a decade ago this will be out in October on Telarc and tracks include ‘Mr. C.C.,’ an imaginary score for a Charlie Chaplin film.

Hiromi will be in the UK in November playing Bridgewater Hall, Manchester on 1 November and Southwark Cathedral, London on 2 November. 

Boisterous and free spirited the clunky title is a homage to Ornette Coleman album To Whom Who Keeps A Record

Pretty pared down throughout, drummer Gard Nilssen with bassist Petter Eldh and saxophonist André Roligheten have been playing together for years. The spirit of Albert Ayler is firmly to the fore as well but to be honest this is nothing as hardcore as the full Ayler experience.

Actually it is pretty accessible in a heritage free-jazz spirit and the three have real rapport ripping along merrily to chunky scraps of melody chased down by a throaty dose of the blues in a syncopated dash through a bunch of tunes unencumbered by keyboards or a guitar. 

In a word: Enjoyable! 

Prepare for a big change in the super talented bass guitarist here. Maybe it is John Patitucci producing, maybe it is a new much more mature sound but for whatever reason there is a lot less bombast, a lot more expressiveness and some great tunes all factored in.

Gwizdala has gathered a fine band around him on The Union [****] (issued on his own label Gwizmon Productions) with Clarence Penn on drums, Philip Dizack on trumpet, and Ruslan Sirota (who appeared with Gwizdala on the excellent Bob Reynolds album Quartet) on pianoOn ‘The End of the Story’ there is a pared back almost-Steve Rodby Metheny-esque feel to the tender ballad and this track is at the heart of the album which relies for a lot of its best effects on a thoughtful, more meditative and less-is-more mentality. In a sea of music this is the kind of message in a bottle we all need that defies the odds to reach out and communicate. SG