Mark 29 and 30 July in your diaries... they make for a couple of chances to catch one of the most swinging soulfully bluesy jazz saxophone masters in the ideal circumstances of a small jazz club situation.

Now in his eighties Houston Person has more than 75 albums under his own name on Prestige, Westbound, Mercury, Savoy, Muse, and is currently with High Note Records. He has recorded with Charles Brown, Charles Earland, Lena Horne, Etta Jones, Lou Rawls, Horace Silver, Dakota Staton, and many more.

His latest record is I’m Just a Lucky So and So, from which his version of ‘Willow Weep For Me’ can be heard above, is released on High Note at the end of July. Hear him with his organ trio at Pizza Express Jazz Club, London. Remember: you only really learn deep down as a player or as a listener by hearing and experiencing the masters live. Tickets

Murmuring to a tech equivalent of a cicada behind him, saxophonist Rob Cope paints all over the minimal background as a Gods of Apollo scene setter on ‘Sputnik’ the first of what is planned to be a three-part trilogy inspired by space.

Spoken word from the NASA archives spool out of the speakers at the beginning of ‘Human Spaceflight’ with pianist Elliot Galvin suitably modernistic sprawlingly effective behind the speech. There is a lot going on throughout the album and there is a certain danger that the concept will overpower the playing itself but luckily this does not happen mainly because the production and compositional techniques seem to be so very well thought through. Cope has a very human Iain Ballamy-like sound and his bittersweet soliloquies make this quite a personal statement and with Galvin, superb particularly on ‘Magnificent Desolation’, guitarist Rob Luft and drummer Jon Ormston around him there is a strong group unity and direction. Cope and chums launch the album tonight at the Vortex. Get yourself down there if you can.