Casteneda and Maret

You may well search hard and long but may probably never find two more virtuosic musicians deliver a new album in a set-up which is so very unusual. Swiss-born harmonica wizard Grégoire Maret and Columbian harpist Edmar Castañeda however keep things loose and erect no barriers to listening and this is far from a showboating exercise because it is so bluesy and laidback from the off.

Tunes lean towards originals and gems like a stately version of ‘Our Spanish Love Song’ by Charlie Haden and the Brazilian standard ‘Manhã de Carnaval’ by Luiz Bonfá also make the cut. Guests are Béla Fleck, another once in a lifetime virtuoso, and fine singer Andrea Tierra do not crowd in too much. Maret has the unique ability to speak to you like a singer might and for instance on Tierra vocal track ‘Acts’ matches the singer in tenderness and kind. Castañeda keeps marvellous time and brings a gravitas to the record and when he opens up say on the Bonfá standard shows how natural an improviser he is. Tailor made for radio play this has a gentle easy listening appeal but there is more grit and meaning than a gentle, indulgent stroll and is a pleasure from beginning to end. SG. photo: ACT 

Terence Blanchard

He is the foremost jazz musician who writes for film, has picked up five Grammys along the way, and now Terence Blanchard has been named the first Kenny Burrell Chair in Jazz Studies at the UCLA [University of California at Los Angeles] Herb Alpert School of Music. The chair according to UCLA is a key component of the school’s new global jazz studies programme. “Terence’s accomplishments are impressive and astounding for their range,” says school of music Dean Judith Smith. “His commitment to educating the next generation of jazz artists and his devotion to illuminating social justice issues through his music embody our UCLA values and align with the mission of our global jazz studies program.”

Blanchard says: “I’m looking forward to educating new generations of jazz artists, not only as performers, but as teachers, producers and jazz scholars who understand the power of music to transform the worlds in which they engage.”

Terence Blanchard above, photo: Henry Adebonojo