Ah, Pigfoot are back with new album The Pigfoot Shuffle some five years on from their debut, a slight tweak in the personnel notwithstanding... check a slice of it above. Apparently this is what is in store... re-workings of a range of classic material; Led Zeppelin’s Black Dog, Curtis Mayfield’s Pusherman, the South African township transformation of a Mozart aria from The Marriage of Figaro and, “typically, a medley of Elvis Presley and Wagner material.” Look for it in June.
Following on from last week’s story that Concord have announced details of a new Chick Corea album this summer, here is the lead off pre-release track the flamenco flavoured ‘The Yellow Nimbus, Part 2’ from Antidote by Chick’s nascent Spanish Heart Band, the great pianist revisiting songs from his albums My Spanish Heart and Touchstone with a multi-cultural octet, plus new compositions and guest appearances by vocalists Rubén Blades, Chick’s wife Gayle Moran Corea, and Maria Bianca.
The band is Flamenco guitarist Niño Josele and saxophonist/flutist Jorge Pardo who both hail from Spain and have both worked with the late flamenco master Paco de Lucía. Bassist Carlitos Del Puerto was born in Havana, Cuba and played on Chinese Butterfly, Corea’s 2017 collaboration with legendary drummer Steve Gadd – as did Venezuelan percussionist Luisito Quintero with Trumpeter Michael Rodriguez and trombonist Steve Davis plus Marcus Gilmore who follows in the footsteps of his grandfather, the great Roy Haynes, as a master drummer (and close collaborator with Corea). The band is augmented by flamenco dancer Nino de los Reyes.
Look for the album in late-June. Chick and the Spanish Heart Band are playing the Love Supreme festival this summer.
What a lot the veteran Japanese pianist Aki Takase has packed in here: turntable culture somehow; rolling, boisterous sax-led themes; the anarchy of free form jazz; and the wild abandon of the player leader herself who if you can imagine Yoko Ono as a jazzer you would be only half-way there.
The group, her Japanic, bristles with some fine players chiefly Daniel Erdmann on sax in one of his best sideman appearances I’ve heard and her tunes have an epic, spirited, grandeur to them able interpreted by the ingenious ensemble. Tremendous.