Back in 1980 when there actually still was a country called Yugoslavia, Georgie Fame was invited there for the first time to sing with a local big band. The bass player from that outfit, Mario Mavrin, turns up on this record of a dozen tunes, Fame explains in the notes to brand new album Lost In a Lover’s Dream released on Fame’s own label Three Line Whip, as does quietly accomplished Slovenian guitarist Primož Grašič who Fame also knows from his visits to the Balkans.
Fame clearly relished playing at the Bosko Petrovic Jazz Club in Zagreb, and this album was recorded not in Croatia but Slovenia earlier this year, clearly a memento of happy days all these years on.
Opening with Amen Corner founder Andy Fairweather-Low’s tongue-in-cheek ‘Wide-Eyed and Legless’, Fame, who only sings on the album, there isn’t an organ in sight Hammond or otherwise and no drums either, is on insightfully tender form on ‘My Foolish Heart’ and customarily wry on ‘Sking Blues.’
There are a number of Fame originals including ‘Say When’, ‘Singing Horn’, ‘How Blue’ and the title track itself, and the abiding impression throughout is of Fame sounding as if he’s enjoying himself. It’s a stress-free set of comfortable but rewarding songs, with Fame singing his heart out displaying tremendous artistry and that tone, that style no one can replicate. It’s also tinged with a little sadness at times especially on the rather beautiful vocal on ‘Singing Horn.’
Fame fans starved of a new album for a little while will love this record I’m sure. Out of the blue it may be, but it’s great to have an album as good as this just showing up unannounced. Stephen Graham
Released on 8 October. Georgie Fame pictured top tours in November. Dates are: The Grand, Clitheroe (7 Nov); The Platform, Morecambe (8 Nov); Buccleugh Arts Centre, Carlisle (9 Nov); R&B Club, Mickleton (10 Nov); Floral Hall, New Brighton (11 Nov); Subscription Rooms, Stroud (13 Nov); Millfield Theatre, Edmonton (14 Nov); Ropetackle, Shoreham by Sea (15 Nov); Capitol, Horsham (16 Nov); Gulbenkian, Canterbury (17 Nov); The Globe, Cardiff (19 Nov); Palace Theatre, Paignton (20 Nov); Electric Palace, Bridport (21 Nov); Cheese and Grain, Frome (22 Nov); and Sturmer Hall, Haverhill (24 Nov).
It’s the biggest ever London Jazz Festival this year, very possibly the biggest the country has ever seen, held at dozens of venues across the capital. Tonight the full printed programme is released at a reception in Kings Cross and as well as new stars in the making this year as ever, there is also a great range of European acts, a vibrant club programme, and the biggest names in international jazz including Sonny Rollins, Herbie Hancock, Brad Mehldau, Esperanza Spalding, John McLaughlin, and Jan Garbarek at venues all over London including the Royal Festival Hall, Barbican, Kings Place, Ronnie Scott’s, the Vortex, Pizza Express Jazz Club, Hideaway, the Forge, Arts Depot, and St James’ Piccadilly. If you’re thinking of making the most of the festival across the capital here are some highlights in store to whet your appetite, but do check out the full programme and the festival’s website as there is a huge amount of jazz taking place for 2012 across the 10 days not to mention many talks and family-friendly events as well.
Friday 9 November
New star Ambrose Akinmusire Quintet, Queen Elizabeth Hall
The new Europe Amira and Bojan Z, Artsdepot
Club gig Emilia Mårtensson and pianist Barry Green, Pizza Express Jazz Club
Pick of the day Robert Glasper Experiment and Phantom Limb,
Royal Festival Hall
New star Femi Temowo and Elisa Caleb, The Forge
The new Europe Oddarrang, South Bank Centre
Club gig Makoto Meets Lakatos, Pizza Express Jazz Club
Pick of the day Matthew Shipp Trio, Vortex
New star Beats & Pieces + Ensemble Denada, Purcell Room
The new Europe Black Motor + Rakka+ Kuara+Anna-Mari Kaharan Orkesteri, Barbican freestage
Club gig Randolph Matthews, The Forge
Pick of the day John McLaughlin and the 4th Dimension, Barbican
New star Josh Arcoleo, the Forge
The new Europe Michael Wollny + Iiro Rantala With Adam Baldych, St James’ Piccadilly
Club gig Ravi Coltrane, Ronnie Scott’s
Pick of the day Herbie Hancock, Royal Festival Hall
New star Shabaka Hutchings and the BBC Concert Orchestra, Queen Elizabeth Hall
The new Europe Carminho, Purcell Room
Club gig Kit Downes Quintet and Barbacana, Vortex
Pick of the day Jan Garbarek group with Trilok Gurtu, Royal Festival Hall
New star Emma Smith, St James’ Piccadilly
The new Europe DPZ Quintet, Barbican freestage
Club gig Tammy Weis, The Pheasantry
Pick of the day Brad Mehldau Trio, Barbican
New star Trish Clowes, St James’ Piccadilly
The new Europe Nicholas Simion Group, Rich Mix
Club gig Dee Dee Bridgewater, Ronnie Scott’s
Pick of the day Esperanza Spalding, Royal Festival Hall
New star Sid Peacock Surge, Barbican freestage
The new Europe Open Souls + Circle Of Sound, Purcell Room
Club gig Lonnie Liston Smith, Hideaway
Pick of the day Sonny Rollins, Barbican
New star Tommy Evans Orchestra, Barbican freestage
The new Europe Leszek Mozdzer + Radio.String.Quartet.Vienna, St James’ Piccadilly
Club gig Charles McPherson, Pizza Express Jazz Club
Pick of the day Chick Corea (right) / Christian McBride / Brian Blade, Barbican
New star Stuart McCallum, the Forge
The new Europe Supersilent feat John Paul Jones, Village Underground
Club gig Liane Carroll, Hideaway
Pick of the day David Murray Big Band and Macy Gray, Barbican
Herbie Hancock top appearing on Monday 12 November at the Royal Festival Hall as part of this year’s London Jazz Festival held in association with BBC Radio 3
She’s a one off. She’s celebrating 50 years in the music business as a performer and she’s back. But you’ll have to wait to 1 October for Thankful N’ Thoughtful by the great Detroit singer Bettye LaVette, She’s also written an autobiography with David Ritz, the writer who has produced such compelling if controversially raw books on Marvin Gaye and Jimmy Scott.
Like Scott, Bettye LaVette has had more than her fair share of ups and downs over the years and was a star and then wasn’t, then kind of became one again for a variety of reasons which the book goes into gripping detail about. I didn’t care much for her last album Interpretations: The British Rock Songbook which for me laboured the point a bit, but the new record is different.
Coming well ahead of a Jazz Cafe date in London on 11 December as part of a European tour to support the release Thankful was produced by Craig Street, the producer who turned Cassandra Wilson’s career right round in the 1990s when he worked with the Mississipian on the superb Blue Light Til Dawn on which Wilson moved beyond her comfort zone for the first time.
LaVette because of the nature of the kind of R&B she thrives on (roughly Tina Turner land) maybe didn’t have to make such a leap with Street, and as she dips in and out of different styles gives each of them her own emotively compelling life force. The tracks are a mix bag of tunes and on early listens I have been hitting replay on Dylan’s ‘Everything is Broken’ and the left field folk singer Patty Griffin’s song ‘Time Will Do The Talking’ which is just stunning. But there are plenty of other goodies including material by the Black Keys, Tom Waits and Neil Young, and LaVette manages even to breathe new life into Gnarls Barkley’s done-to-death ‘Crazy’, in itself a neat trick. LaVette’s band on the record is Chris Bruce, guitar; Jonathan Wilson guitar, banjo; Glenn Patscha, piano, keys; Jennifer Condos, bass; JJ Johnson, drums, percussion; Steven Bernstein of Sex Mob on ‘Yesterday Is Here’; and Douglas Wieselman, reeds on the same track.
Just ahead of the album release LaVette’s autobiography, A Woman Like Me is published on 27 September.
Bettye LaVette pictured top. Photo: Marina Chavez
There’s been a recent debate on a few websites spurred on in part by Ethan Iverson’s comments on the value or otherwise of high profile contests and prizes with comments flying across the Internet for and against. I suppose the same will happen here in the UK once this year’s MOBO and Mercury award nominations are announced over the next few weeks. In some ways it’s more about the nominations, and the furore, if there is any, dies down when the winners are announced.
This year the Mercury announcement has been delayed partly because of the Olympics taking over, so nominations which are usually held in July are happening this month instead, with the winner announced in November.
Last year one of the bands that was hotly tipped to be Mercury annointed, the very fine Kairos 4tet, got nada but actually went on to win the MOBO for best jazz act, while the Mercury nom itself went to Gwilym Simcock for his airy but formidable Schloss Elmau solo piano album recorded, as you do, at a spa retreat in Bavaria.
Simcock this year has been touring with Anglo-American band The Impossible Gentlemen out of contention and with Lighthouse, definitely in with a chance, and if Lighthouse have been entered they’ll surely take up some of the judges’ chin scratching time as their own album (it’s Simcock with saxophonist Tim Garland and Asaf Sirkis) was one of the standout releases of the year for many. Portico Quartet, who were nominated for an earlier album changed tack this year to release a more electronica-oriented album, so don’t rule them out for the Mercury in this new guise, surely a prime candidate for a band that has changed dramatically from its jazz roots. Another outfit, which features former Jade Fox scenester David Okumu and Polar Bear’s Tom Herbert, The Invisible, has also moved well away from early influences and may get nominated but not in the “token jazz” spot, as they inhabit a trusted patch of indie-land.
While 2012 has seen few obvious jazz acts build such a consensus around them to make their appeal so blindingly obvious they’ll just stroll up for a Mercury or MOBO, other bands surely in consideration must be Roller Trio (if they’ve been entered like all of these mentioned I hasten to caution), Phronesis, if the rules allow them entry, Troyka, trioVD, Neil Cowley Trio for The Face of Mount Molehill, Get The Blessing for OCDC, Django Bates, Zara McFarlane, Josh Arcoleo, Partikel, World Service Project, Arun Ghosh, Beats and Pieces, a rare big band possible, Alexander Hawkins, Julian Joseph, Stuart McCallum, John Surman for Saltash Bells, and Trio Libero, if the rules allow the band on the tip sheet. Black Top (Pat Thomas, Steve Williamson and Orphy Robinson) have still to record so maybe they’re one to watch for next year as are Sons of Kemet. Dice Factory have made their presence felt with their self titled debut but that’s a late entrant, and Courtney Pine’s House of Legends while not released yet may have been entered if it met the Mercury and MOBO deadlines. Ivo Neame’s Yatra might be too late as well but if not it’s in with a shout. Both Ian Shaw and Claire Martin have released strong vocal records and Matthew Bourne’s Montauk Variations would be a great left field choice, and at its polar opposite young crooner Alexander Stewart made a good showing with his take on the Smiths on his debut album.
So it will be interesting to see who gets the nod. It could even be none of the above. In recent years it’s been pianists all the way with Simcock and Kit Downes while the MOBOs have moved away from the crossover smooth jazz of Yolanda Brown to post-bop last year. I’d like to see either Neil Cowley Trio, Get the Blessing, Matthew Bourne, or Troyka bask in the Mercury glow this year, they’d all be fine ambassadors for the music, and Zara McFarlane, Jazz Jamaica or Black Top pick up the MOBO, as the best jazz act category does not necessarily need a brand new album to guarantee inclusion.
Whoever gets it I hope they capture the wider media’s imagination so that the word can get out about the UK scene that bit more. Otherwise we’ll have to wait until the next set of awards to try to up the scene’s profile and they’re in January when Jazz FM launch their inaugural gongs.
In the running
Simcock, Garland, Sirkis Lighthouse ACT
Roller Trio Roller Trio F-IRE
Partikel Cohesion Whirlwind
Portico Quartet Portico Quartet Real World
The Invisible Rispah Ninja Tune
Get The Blessing OCDC Naim
Django Bates Confirmation Lost Marble
World Service Project Relentless Brooke
Arun Ghosh Primal Odyssey Camoci
Beats and Pieces Big Ideas Efpi
Alexander Hawkins Ensemble All There, Ever Out Babel
Julian Joseph Live at the Vortex in London ASC
Troyka Moxxy Edition
Claire Martin Too Much In Love To Care Linn
Ian Shaw A Ghost In Every Bar Splashpoint
Zara McFarlane Until Tomorrow Brownswood
Sheppard, Benita, Rochford Trio Libero ECM
Stuart McCallum Distilled Naim
Dice Factory Dice Factory Babel
Ivo Neame Yatra Edition
Matthew Bourne Montauk Variations Leaf
Alexander Stewart All Or Nothing At All Alexander Stewart Music
Neil Cowley Trio The Face of Mount Molehill Naim
Get the Blessing: will they bag an award? Pictured top, and Zara McFarlane, above