Report: via BBC News.

A first listen to the latest from Graviton, pianist Andrew McCormack’s band, and the title track above drawn from their pulsating second album, The Calling released this week — McCormack with Noemi Nuti on vocals, Josh Arcoleo on tenor saxophone, Tom Herbert on electric bass and Josh Blackmore on drums.

You always get a spiritual frisson from listening to a Tori Freestone record and El Mar de Nubes is no different. With spare bass and drums accompanying the saxophonist, there is a stark stillness to the record and plenty of space for her striking style. Inspired by the Canary Islands’ “sea of clouds” tracks include originals, traditional material, and a version of Sam Rivers’ ‘Beatrice’. All eminently listenable, but I get a samey feeling following on from earlier albums. Time to throw caution to the wind next time around and shake things up? For sure. SG.  

Image result for albert hall marlbank

Tickets go on sale on Friday for the just announced Ronnie Scott’s Jazz Club 60th anniversary concert at the Royal Albert Hall to take place on 30 October. Van Morrison, Courtney Pine, Imelda May, Madeline Bell and Liane Carroll are among the line-up. Ronnie Scott’s managing director Simon Cooke said: “We are transporting the club, for one night only, into the slightly larger Royal Albert Hall, but have every intention of recreating the unique atmosphere we have here in Frith Street.” Royal Albert Hall, above. Photo: marlbank

 

Amazing stuff here on a rare Irish warts-and-all jazz speckled 1970s compilation, entering a world few from this vantage point even knew existed. Buntús Rince: Explorations in Irish Jazz, Fusion & Folk is available via All City records in Dublin, and online through Bandcamp. Pick of the set for me are the tracks by Louis Stewart, Taste, Granny’s Intentions and Joe O’Donnell and what about that great mellow opener from Noel Kelehan...?

Pretty unusual instrumentation first off, a trio of drums & electronics/trombone/guitar & electronics. And a pretty unusual start too, lots of airy intrigue giving way to a more driving sound. A studio album recorded in Italy in January last year, the tunes are mostly arrived at cooperatively among the three players, the style is more about mood and texture than ferocious flurries of notes. I am not sure if it all hangs together and certainly you need patience which is not always rewarded. However on the plus side Aarset is as compelling as ever and drummer Rabbia, whose approach reminds me of Marilyn Mazur’s a little, challenges the listener to move beyond the orthodox to embrace a wide range of new sounds. An album that poses as many questions as it provides answers for. SG  

Released on 7 June.