Goran Kajfeš / Subtropic Arkestra
The Reason Why Vol. 1
Into the spring bulbs will be sprouting to this one given half a chance. The Swede first surfaced in 2001 with the very alert Home, and while Kajfeš has remained an unknown since, at least in terms of more Eeyore-like potting shed-inclined jazz fans, The Reason Why should tempt people away from the garden and on to the dance floor or at least fairly near one. Opener, the trowel friendly but bafflingly titled ‘Yakar Inceden Incedan’ by Edip Akbayram, is an infectiously mighty vamp, and there’s progpsychedelia-into-Afrobeat later, and some unstuffy big band lifts on ‘Badiboom’ (like a Gondwana Mancunian take on Alice Coltrane via Roy Budd), and Soft Machine. By covering Tame Impala (‘Desire Be, Desire Go’) a continuity is established, the torch passed on historically from Soft Machine. Fourth track ‘The Nodder’ from the Softs’ Alive & Well: Recorded in Paris is an interesting choice with a Zawinul Syndicate-type link under Kajfeš’ trumpet and electronics. I’d love to hear the Arkestra plus Anthony Joseph joining as guest vocalist. With support by Sons of Kemet. That would be a night to remember. SG
Update (5/3/13):UK release confirmed for late-April
Bassist Steve Rodby will be joining The Impossible Gentlemen when the acclaimed band tours again this year.
Dates have still to be announced for the full tour, but the Brecon Jazz Festival in Wales has confirmed that the band will be appearing on the closing night of the festival on 11 August with besides Rodby in the line-up new drummer, the Chicagoan Mark Walker from the jazz and new age band Oregon, taking Adam Nussbaum’s place.
Rodby has produced the latest Basho Records album expected this year, The Impossible Gentlemen’s second outing for Basho records, the north London based label that’s also home to Kit Downes, whose quintet release is a priority in early-2013 http://marlbank.tumblr.com/post/39377045983/1683.
The bassist in the Pat Metheny Group for long periods during the last 30 years, Rodby, 58, who was born in Joliet, Illinois, has produced records for Oregon, Eliane Elias, the Jim Hall & Pat Metheny duo album, and Pat Metheny Trio albums among many others.
The new IG album was recorded last summer in Sussex following a four-night club residency at London’s Pizza Express Jazz Club in June.
During that lengthy stint The Impossible Gentlemen unveiled new songs from the album they were about to record.
Just three years old now the Gentlemen on their debut were five-string electric bass legend Steve Swallow, distinguished former Sco drummer Adam Nussbaum, piano star Gwilym Simcock, and north west jazz guitar cult hero Mike Walker.
Steve Swallow added new material to the band book performed at the Soho club with an untitled ballad on one night, and other tunes included Walker’s ‘The Slither Of Other Lovers’ and ‘Modern Day Heroes’.
Swallow said at the time, reported exclusively on downbeat.com, the tunes for the record “have very asymmetrical structures but keep their integrity. We have eight new tunes that we’ve worked up in the last eight to 10 days. I have to go through that door so they seem natural like they’re in 4/4 even if they’re not. Moving ahead, it’s a conscious decision to extend.” SG
Steve Rodby above
Update (6/3/13): The Impossible Gentlemen tour dates in the autumn are now understood to be 10-25 October. Founder member Adam Nussbaum will be on drums again for the October dates.
The Bespoke Man’s Narrative
Mack Avenue ****
It’s uncanny, a prologue that summons the mood music of Ahmad Jamal to this feast of a piano album, and then ushers in a new pianist so assured you might think it’s a cruel illusion. In solo (briefly), trio and quartet formations Diehl, only just out of his mid-twenties, has a suave sense of sophistication which the “bespoke” conceit in the title emphasises. He’s clearly saying “I’m a man of taste”, yet instead of sitting around in a gentleman’s club wearing a deerstalker and tweeds he’s happy in a modern armchair Philippe Starck might have designed, with fashionable book shelves lolling (if shelves could so idle) behind him. It’s a slightly contradictory message, but Diehl is more modern than stuck in the past, even if arch Wyntonite Stanley Crouch crops up in the notes shooting from the hip as ever and stating the case strongly for Diehl who he knew at Julliard. Typo of the year so far must be the bit about one “Charge Mingus” in an apt phrase comparing the piano to “tuned bongos”. I’m not sure how “bespoke” the band is, although it does sound very slick befitting of one put together by a Cole Porter fellow in jazz composition, an award bestowed on Diehl by the American Pianists Association. Vibist Warren Wolf is as dependable as ever as is drummer Rodney Green with the up-and-coming David Wong nimble on bass. The trio tracks are good hearty fare but it’s slightly paradoxical that the main album highlight is very possibly the convincing solo version of Ellington’s ‘Single Petal of a Rose’ (also covered recently by the Scottish National Jazz Orchestra). ‘Bess You Is My Woman Now’ is cleverly approached and very expressive, and the treatment of Ravel’s ‘Le Tombeau de Couperin [III. Forlane]’ weighted very thoughtfully and sequenced well. Diehl has made a statement here that’s much more than a sartorial one, although he might have to keep on changing his musical clothes for a while yet to get really comfortable.
Released on 18 March. Aaron Diehl, above
Not fantasy but reality. Fifty years ago in April Capitol records would release Jazz Moments a George Shearing record few would care to quickly forget. It would be a momentous session.
Instead of a vibes quintet, which the pianist was already renowned for, Shearing would assemble a trio, drafting in none other than Ahmad Jamal’s bassist Israel Crosby and drummer Vernel Fournier, two thirds of the At The Pershing: But Not For me dream team.
Sadly Jazz Moments would be Crosby’s last recording, an early departure for a bassist actually born the same year as Shearing, but who later in 1963 would suffer a heart attack and die aged just 43. Crosby had made his mark on the jazz scene with Gene Krupa in the 30s before going down to create jazz history with Jamal and Fournier at the Pershing hotel.
John Turville returns for the second instalment of The Shearing Hour on Thursday evening, a piano hour that begins and ends with the inspiration of Sir George Shearing (1919-2011). Take your seats for 7.15. SG
Listen to the trio here play ‘The Mood is Mellow’ from Jazz Moments: http://www.youtube.com/watch?v=4w7-87uJ4xA
there’s never been a better time