A big deal in Germany with his trio Martin Tingvall switches to solo piano once again with The Rocket. Pretty easy listening to be fair, too much so. Tingvall and his accessible compositional touch draws on space themes in the titling of many of the tracks, the lilt of Swedish folk traditions and the language of contemporary Eurojazz and have a certain inescapable charisma as well as tunefulness. Personally I prefer his trio, still too underknown in the UK, which has a lot more drama to it than the Ludovico Einaudi-like easy going trajectories here. The surprising thing is how little jazz vocabulary Tingvall chooses to use here. Disappointing.
Binker Golding has a new quartet album out in September. Titled gnomically Abstractions of Reality Past & Incredible Feathers it was recorded at Abbey Road studios in London and alongside tenorist Golding features Daniel Casimir on double bass, Joe Armon-Jones on piano and Sam Jones on drums. Compositions are by Golding and the release is on Gearbox. Check out ‘Exquisite She-Green’ from the album, above.
Check the live version above of the opening track of upcoming Leo Richardson album Move to be released in August by Ubuntu. With eight original compositions included on the release Richardson has Rick Simpson on piano, Tim Thornton on bass, and Ed Richardson on drums + a guesting Alex Garnett. Richardson launches the album at the Pizza Express Jazz Club on 6 August. Tickets.
Called Spectrum and only the charismatic jazz-rock Japanese pianist Hiromi’s second solo piano release after Place to Be a decade ago this will be out in October on Telarc and tracks include ‘Mr. C.C.,’ an imaginary score for a Charlie Chaplin film.
Boisterous and free spirited the clunky title is a homage to Ornette Coleman album To Whom Who Keeps A Record.
Pretty pared down throughout, drummer Gard Nilssen with bassist Petter Eldh and saxophonist André Roligheten have been playing together for years. The spirit of Albert Ayler is firmly to the fore as well but to be honest this is nothing as hardcore as the full Ayler experience.
Actually it is pretty accessible in a heritage free-jazz spirit and the three have real rapport ripping along merrily to chunky scraps of melody chased down by a throaty dose of the blues in a syncopated dash through a bunch of tunes unencumbered by keyboards or a guitar.
Prepare for a big change in the super talented bass guitarist here. Maybe it is John Patitucci producing, maybe it is a new much more mature sound but for whatever reason there is a lot less bombast, a lot more expressiveness and some great tunes all factored in.
Gwizdala has gathered a fine band around him on The Union [****] (issued on his own label Gwizmon Productions) with Clarence Penn on drums, Philip Dizack on trumpet, and Ruslan Sirota (who appeared with Gwizdala on the excellent Bob Reynolds album Quartet) on piano. On ‘The End of the Story’ there is a pared back almost-Steve Rodby Metheny-esque feel to the tender ballad and this track is at the heart of the album which relies for a lot of its best effects on a thoughtful, more meditative and less-is-more mentality. In a sea of music this is the kind of message in a bottle we all need that defies the odds to reach out and communicate. SG
In their sixtieth year Ronnie’s has pulled off another plum booking with the rare visit by one of the greatest saxophonists, with a two-night visit by the hippie jazz legend Charles Lloyd on 1-2 August now confirmed. I cannot think of the last time the Forest Flower icon played any UK club because usually he confines his visits to big concert halls. Interesting band, a quintet that includes guitar hotshot Julian Lage, he is bringing with him too. Here’s the link for more details and tickets.