A LANDMARK recording. This solo piano album of Gwilym Simcock’s acts as his own dedication to players he loves and reveres (Billy Childs, Brad Mehldau, Egberto Gismonti, Russell Ferrante, etc) but also and just as significantly represents a one stop visit to the remarkable style and sound of this astonishing pianist’s artistry. Simcock has a big technique but that never gets in the way of his torrential flood of melodic ideas which often land never far from a rhapsody and at all times are delivered with tenderness and skill. Jazz does not get any better than this in 2019.
Ah, Pigfoot are back with new album The Pigfoot Shuffle some five years on from their debut, a slight tweak in the personnel notwithstanding... check a slice of it above. Apparently this is what is in store... re-workings of a range of classic material; Led Zeppelin’s Black Dog, Curtis Mayfield’s Pusherman, the South African township transformation of a Mozart aria from The Marriage of Figaro and, “typically, a medley of Elvis Presley and Wagner material.” Look for it in June.