A stellar trio who know each other’s moves instinctively: the sound bubbling up from the drums: Ali Jackson you may know from his work at the kit within the Wynton Marsalis and the Jazz at Lincoln Center Orchestra sound; star pianist Aaron Goldberg who habitually thrives in a trio situation; and bassist Omer Avital whose own work as a leader is also worth checking out. The highly accurately exclamatory monikered, for once, Yes! Trio are on the French indie jazz label Jazz&People roster: look for Groove du jour (****)on 11 October. Seriously swinging but not at all indulgent or tired the trio keep it interesting and you feel the narration in the way they handle each tune. The album has deftly conceived and executed compositions by all three elegant players who each contribute pieces plus look drilling down for a version of Jackie McLean’s ‘Dr Jackle’ and a treatment of the Sammy Fain-Irving Kahal standard ‘I’ll Be Seeing You’. While it is not out yet marlbank had a few listens right through: Groove de la semaine — more like. Get acquainted with all these sounds when you can come release time.
Avishai Cohen, Arvoles, Razdaz ***1/2
There is a certain simplicity at play with Arvoles especially the way tunes seem to build from the ground up via tiny motifs... but then layer complexity upon complexity into a remarkable confection that escapes category harnessing folk, bebop, rock and classical music flavours often delivered with extraordinary facility. The record was recorded in a studio in Sweden earlier this year. ‘Arvoles’, which means ‘Trees’ in the ancient Sephardic language Ladino, finds Cohen with the trio that he introduced to Ronnie Scott’s audiences earlier this year, featuring newcomer Elchin Shirinov from Azerbaijan on piano and Cohen’s old school friend Noam David on drums, plus Anders Hagberg on flute and Björn Samuelsson, trombone. The horns add a bright attractive flavour and fill out the tunes. “You could say I’m going back to basics,” Cohen has noted. “Nostalgia at its best is the strongest, most romantic, sincere, bitter-sweet feeling. And I agree it’s all over the record, with compositions like ‘Childhood’, ‘New York 90s’ and ‘Nostalgia’. Thoughts? Well, it is a solid record and the horn arrangements add an attractive flavour. I am not sure if the compositions are as strong as you will find on some Cohen albums but the bar is set high. I’d pick ‘New York 90s’ and the Monk-like ‘Wings’ as the stand-outs and most relevant to jazz listeners. Go there first. SG