Pretty novel idea, as part of the Ronnie Scott’s 60th Anniversary festivities spooling out this year, in that the club is to host a street party outside the club’s premises on Frith Street on Saturday 20 July. The confirmed line-up includes Pee Wee Ellis and his Funk Assembly, Nubya Garcia and a 7-piece latin-jazz band. Full details: here.
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Beefy brass and funked up Wu-Tang Clan from Steely Dan trumpeter Michael Leonhart.
Laid back samba from Duduka Da Fonseca and starry guests.
Airy electronica fashioned as if it were counterpoint by the very fine Aki Rissanen piano trio.
Liam Noble, The Long Game, Edition *****
There are so many albums around at the moment that you just do not want to listen to the end.
And then there is The Long Game: you listen to the end and then you start all over again.
It is a very different Liam Noble, the electric dare I say “prog” side emerging as if for the first time.
In the company of two ex-Polar Bear players Tom Herbert on bass and Seb Rochford on drums this is not the usual jazz trio. The tunes are Noble’s, there is plenty of mischief at play which gives the album a life and personality, and while on ‘Between You and Me’ by using piano a bit he is on more familiar territory the scenery changes quickly enough, just listen to the weird noises filtering up from the innards of the album.
‘Unmemoried Man’ is fun, the sound direction switching from left to right, a kind of a game, pin the tail on the pianist... and those odd little background hisses and fades adding peculiar seasoning.
‘Head of Marketing’ has a kind of slyly funky cod serious pisstake quality to it dressed up to sound like one of the many hundreds of Bill Frisell records that can it is rumoured even be found at the bottom of the Mariana Trench wrapped inside all those discarded plastic bags from Tesco.
‘Head First’ has a kind of heavy metal madness to it and Herbert piles in, with Noble as if kidnapped forced to keep up with Rochford’s hyperactive drums muttering as he tinkles no doubt about how much he likes Deerhoof because it would be rude not to.
‘Head Over Heels’ has a Django Bates type sense of mischief again, some crazy settings chosen on the keys to make the thing sound as if it is all under water. Some times I think of Billy Jenkins a little circa Blue Moon in a Function Room in the way Noble has fun say on the perky ‘Pink Mice’ but there is plenty to ponder too and ‘Flesh and Blood’ stops you in your tracks and ‘Matcha Mind’ has a pile of microscopic detail that succeeds in making the sound intimate and personal and probably the most significant piece of the whole thing. Definitely among the best albums that I have heard this year. Noble goes from strength to strength and pulls the rug from under us poor unsuspecting listeners yet again. SG
Mark 29 and 30 July in your diaries... they make for a couple of chances to catch one of the most swinging soulfully bluesy jazz saxophone masters in the ideal circumstances of a small jazz club situation.
Now in his eighties Houston Person has more than 75 albums under his own name on Prestige, Westbound, Mercury, Savoy, Muse, and is currently with High Note Records. He has recorded with Charles Brown, Charles Earland, Lena Horne, Etta Jones, Lou Rawls, Horace Silver, Dakota Staton, and many more.
His latest record is I’m Just a Lucky So and So, from which his version of ‘Willow Weep For Me’ can be heard above, is released on High Note at the end of July. Hear him with his organ trio at Pizza Express Jazz Club, London. Remember: you only really learn deep down as a player or as a listener by hearing and experiencing the masters live. Tickets.