A stellar trio who know each other’s moves instinctively: the sound bubbling up from the drums: Ali Jackson you may know from his work at the kit within the Wynton Marsalis and the Jazz at Lincoln Center Orchestra sound; star pianist Aaron Goldberg who habitually thrives in a trio situation; and bassist Omer Avital whose own work as a leader is also worth checking out. The highly accurately exclamatory monikered, for once, Yes! Trio are on the French indie jazz label Jazz&People roster: look for Groove du jour (****)on 11 October. Seriously swinging but not at all indulgent or tired the trio keep it interesting and you feel the narration in the way they handle each tune. The album has deftly conceived and executed compositions by all three elegant players who each contribute pieces plus look drilling down for a version of Jackie McLean’s ‘Dr Jackle’ and a treatment of the Sammy Fain-Irving Kahal standard ‘I’ll Be Seeing You’. While it is not out yet marlbank had a few listens right through: Groove de la semaine — more like. Get acquainted with all these sounds when you can come release time.
David Sánchez, Carib, Ropeadope **** RECOMMENDED
I will be updating my pick of the year so far soon to add Carib. It is one of those albums where everything just gels.
To be frank I had forgotten about Sánchez in recent years. I used to like his gutsy, powerful, natural sound a lot in the 1990s and interviewed him once for a long forgotten magazine called Jazz on CD.
Somehow however contemporaries like Danilo Pérez have become much higher profile. The Puerto Rican taps his homeland and Haiti for inspiration that connects with his 1990s self on albums like The Departure. Sánchez also manages to make the connection between the Caribbean and the US a seamless one, Dizzy Gillespie knew how to do that years ago and that style still makes sense.
The album has its poignancy. Sánchez says: “This album is in memory of my father Dimas and especially my late wife Karla. After a great deal of research and listening to Haitian music, Karla encouraged and helped me take a trip to Haiti. It was an incredible and intense experience, seeing everyday people’s struggles. She felt like it was important that I had this direct contact with Haitian culture. I feel like this recording wouldn’t have been possible without her wisdom, sensibility and love. Even if she wasn’t physically around when I was in the studio, she was constantly present in many different forms and definitely a key component of this album’s vibe.”
Check Carib out above: drummer Obed Calvaire, guitarist Lage Lund, bassist Ricky Rodriguez, and pianist Luis Perdomo who plays the Fender Rhodes on just under half the 11 tracks join the saxist. It is simply a thrill. SG