A stellar trio who know each other’s moves instinctively: the sound bubbling up from the drums: Ali Jackson you may know from his work at the kit within the Wynton Marsalis and the Jazz at Lincoln Center Orchestra sound; star pianist Aaron Goldberg who habitually thrives in a trio situation; and bassist Omer Avital whose own work as a leader is also worth checking out. The highly accurately exclamatory monikered, for once, Yes! Trio are on the French indie jazz label Jazz&People roster: look for Groove du jour (****)on 11 October. Seriously swinging but not at all indulgent or tired the trio keep it interesting and you feel the narration in the way they handle each tune. The album has deftly conceived and executed compositions by all three elegant players who each contribute pieces plus look drilling down for a version of Jackie McLean’s ‘Dr Jackle’ and a treatment of the Sammy Fain-Irving Kahal standard ‘I’ll Be Seeing You’. While it is not out yet marlbank had a few listens right through: Groove de la semaine — more like. Get acquainted with all these sounds when you can come release time.
Nigel Price organ trio, Live at the Crypt, nigelprice.biz ***1/2
Interesting and cheering to see this pop up as a bestseller on Bandcamp at the moment. Why so? Well Price is not part of the currently much hyped group of UK bands, usually released by either the Jazz Re:freshed or Brownswood labels, to get a rush of hype behind him. And another thing, the style is pretty mainstream to an extent which rarely gets, rather unfairly, any hype at all. Nobody is going to be going around claiming like the wheel has been reinvented after all. Guitarist Price has a pristine highly mobile sound and close your eyes and he could be playing on a 1960s record, his sound landing a little between Kenny Burrell and Grant Green. With Matt Home on drums, the popular Hammond organist Ross Stanley, and hard blowing tenor saxophonist Vasilis Xenopoulos all playing as a supportive team, the impressive thing here is that this was made in front of a live audience, the band clearly are old fashioned in the sense that they can make it sound like the studio. Good meat and potatoes blowing jazz all in all and a bunch of tunes that know where the beginnings, middles and ends need to be.