Worth getting on LP. Great interview, above, which ECM have put up to chime with the release of the 1998 album Khmer now reissued on vinyl.
Khmer is a bona fide classic it goes without saying but there it is anyway: said. Now on vinyl a format that does lend itself to the style and will enhance its organic characteristics given the format’s tactile and kinetic abilities. Khmer spawned the term “futurejazz”.
Once again the future is present tense given the way technology allows us to an extent certainly with reissues and format changes to imagine better and better.
TS Eliot sums up such thinking without making too much of a leap yet altering the context, place and era in Four Quartets, a classic of literary modernism, and it is worth quoting the first three lines: “Time present and time past/Are both perhaps present in time future,/And time future contained in time past.” A great work of art has that ability to hang in the air in a state of timelessness and Khmer certainly does exactly that and makes the listener alert in this instance to its, yes post-modern, world of sound and silence as a unity and enables a vanishing of the self to fully grasp its impact.
• Also perhaps of interest, this Nils Petter Molvær feature ‘Legends of the Fall’ published in 2013 when marlbank visited western Norway and Ålesund near the island of Sula (where NPM is from) ahead of the release of 1/1 and Switch and we went into the Ocean Sound Recordings studio at Giske, also met the great painter Ørnulf Opdahl, visited the Opdahl studio, and looked at some of Ørnulf’s paintings.