WBGO has reported the death yesterday aged 60 of Russell Malone. The guitar icon, according to a number of accounts, had been touring in Japan with bass legend Ron Carter as a member of the Golden Striker trio.
A guitarist of immense versatility, sensitivity, and swing over a career spanning more than four decades, Malone distinguished himself as a guitarist deeply rooted in tradition, yet ever forward-looking in his approach. His journey from a self-taught prodigy to a celebrated jazz figure is a testament to his relentless pursuit of musical excellence, as well as his profound respect for the jazz lineage that informed his sound.
Born in Albany, Georgia, on 8 November, 1963, Malone's early exposure to music came from the gospel sounds of the Southern Baptist church, as well as the R&B and blues that permeated his environment. However, it was a television appearance by legendary jazz guitarist George Benson that ignited the spark that would define his life's path. Inspired by Benson's virtuosity, Malone picked up the guitar at the age of four, quickly teaching himself to play by ear. His early influences were a diverse array of guitarists - Wes Montgomery, B.B. King, and Charlie Christian—all of whom would leave indelible marks on his style.
Malone's approach to jazz guitar was rooted in the blues, but he was equally influenced by the harmonic sophistication of jazz greats. His playing, from the outset, was characterised by a warm, round tone, impeccable time, and a deep sense of swing, which he combined with a clarity of melodic expression. These qualities would become hallmarks of his style, setting him apart as both a soloist and accompanist.
Malone's early career saw him working as a sideman with some of jazz's biggest names, where he honed his craft and established his reputation. In 1988, Malone joined organist Jimmy Smith’s group, marking the beginning of a long association that would significantly shape his understanding of rhythm, groove, and the blues. He's on albums such as 2001's Dot Com Blues. This was followed by a six-year tenure with vocalist Harry Connick Jr., during which Malone’s playing became an essential part of Connick’s big band sound. His ability to adapt to different musical contexts - whether comping for a vocalist or stretching out in a trio setting - was abundantly clear.
Perhaps Malone’s most celebrated collaboration came in the mid-1990s when he joined the quartet of the legendary pianist and vocalist Diana Krall. His work with Krall, beginning with the album All for You: A Dedication to the Nat King Cole Trio (1996), brought him international acclaim. Malone’s sensitive accompaniment and tasteful soloing perfectly complemented Krall’s intimate style, leading to further collaborations on albums like Love Scenes (1997) and When I Look in Your Eyes (1999). Malone’s role in their success cannot be overstated.
While Malone was a sought-after sideman, his work as a leader further solidified his place in jazz history. His debut album, Russell Malone (1992), announced his arrival as a serious artist with a distinct voice. This was followed by Black Butterfly (1993), an album that showcased his rich harmonic sense, rhythmic sophistication, and ability to interpret a wide range of material - from ballads to blues to bebop - with elegance and grace.
Throughout his career, Malone released a series of critically acclaimed albums, each revealing different facets of his artistry. Sweet Georgia Peach (1998) was notable for its blend of swing, bop, and blues, while Heartstrings (2001) expanded his reach into more orchestrated settings, with lush string arrangements complementing his guitar work.
Playground (2004), a quartet session featuring pianist Mulgrew Miller, bassist Ron Carter, and drummer Lewis Nash, stands as one of Malone’s finest recordings, capturing the telepathic interplay and effortless swing that characterized his music. On Triple Play (2010), Malone led an adventurous trio that explored more contemporary grooves and harmonies, without ever losing sight of the blues-based language that was his foundation.
His later works, such as Love Looks Good on You (2015) and Time for the Dancers (2017), continued to explore new directions, blending standards, originals, and even pop tunes with his trademark warmth and clarity. The 2021 release All About Melody marked a return to the straight-ahead jazz tradition, featuring compositions by greats like Tadd Dameron and Benny Golson alongside Malone’s original works. More recently we reviewed Ben Wolfe's The Understated on which Malone appeared and issued just this summer.
Russell Malone was often described as a "guitarist's guitarist," a musician whose technical prowess was matched by his deep musicality and respect for the jazz tradition. His playing was characterised by a rare combination of fluidity and precision. Whether playing a slow ballad or a fast bebop line, Malone’s phrases always sang, driven by a lyrical sensibility that drew comparisons to greats like Wes Montgomery and Jim Hall. His chordal work was equally masterful, with a keen sense of harmony and voice leading that allowed him to create lush, full textures whether playing solo or in an ensemble.
Malone was deeply influenced by the masters - Montgomery, Grant Green, Kenny Burrell - but he never merely imitated them. Instead, he absorbed their lessons and synthesised them into a style that was distinctly his own. His playing was always grounded in the blues, but it was also harmonically sophisticated and rhythmically inventive. He was equally at home in a traditional swing setting as in more modern contexts, and this versatility made him a valued collaborator across a wide range of styles.
Russell Malone’s passing leaves a significant void in the jazz world, but his influence will be felt for generations to come. As a performer, he was a model of taste, restraint, and expression. As a bandleader, he mentored younger musicians, always encouraging them to find their own voice while respecting the tradition. As a collaborator, he brought out the best in those around him, his generous spirit evident in every note.
Malone’s contribution to jazz guitar is immeasurable. He leaves behind a rich discography that will continue to inspire guitarists and jazz lovers alike. His music, characterized by its elegance, warmth, and soul, serves as a reminder of the timelessness of jazz and the enduring power of melody.
Jazz world shocked by Malone's passing
Tributes online include expressions of deep shock including a tweet from leading jazz drummer and a contemporary of Malone's Marvin ''Smitty'' Smith who spoke of a ''huge loss to the music community.''
In a career defined by excellence, Russell Malone stayed true to his roots while constantly seeking new horizons. His passing is a profound loss, but his legacy - captured in countless recordings and the memories of those who heard him play - will continue to resonate. He was, in every sense, a giant of jazz guitar. photo: Wikipedia
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