F-IRE **** Recommended
Opening with the aching squall of ‘Calum Campbell’ Part Two was recorded two years on from the Basquiats’ picking up what was a welcome but surprise Mercury nomination in 2007 but has waited until this year to be released. As previously reported in marlbank the new-look Basquiats, with Fly Agaric polymath Fred Thomas on board playing bass, are touring soon, but this is the familiar line-up. What set them apart from other strings groups who play jazz in the first place was the contribution of Seb Rochford, the remarkable Polar Bear drummer who’s also featured on the acclaimed new Rokia Traoré record Beautiful Africa.
But the Basquiats are first and foremost the vision of cellist Ben Davis and all the tunes and arrangements apart from ‘It Ain’t Necessarily So’ are his, and they are as simpático to a jazz way of being within the loose framework of serialism as you could wish. His wonderfully expressive solo on ‘Hop Scotch’ also shows his great facility as a performer, the solo emerging organically to make a strong impact.
Achingly “as one”, violinists Emma Smith and Vicky Fifield, with viola player Jennymay Logan, bassist Richard Pryce, Davis and Rochford are a true unit and it’s a shame in a way this is a time machine recording although when Davis tours with the new-look band the spirit I’m sure will remain.
The Basquiats stand tall with radio.string.quartet.vienna and the Atom String Quartet but they’re perhaps closer to the experimental jazz approach in essence than both these impressive outfits. On Basquiat Strings With Seb Rochford the musicians were able to reimagine material such as Ornette Coleman’s ‘Lonely Woman’, and Ornette’s spirit hovers benignly on the new record as well, But on Emma Smith’s solo on ‘History of Her’, the third track, there’s a sense of even more jazz delving and the improvising takes on a still more natural dimension than on the first record. Smith (and Rochford for that matter) are on the new Ellington in Anticipation record, one of the best new jazz records from Britain in years, and her work here, soloing on three tracks, can be listened to happily along Mark Lockheart’s fine record even if it predates it. A uniformly excellent album, well worth seeking out. SG
The album cover top and Ben Davis right
Released on 13 May