Lunchtime today sees the beginning of a major solo piano tour by Robert Mitchell, during which his latest album The Glimpse will be released. A solo feature for left hand only its dozen tracks contain some of the most unusual piano music you’ll hear this year. In the notes to the Whirlwind Records release Mitchell talks of the challenge of undertaking the project in the first place. “I don’t believe,” he says, “there has been anywhere near enough recording to address what I think is a strongly valid form of piano music – that made by the left hand alone. And the insisting that improvisation play a part, also takes this to a rare, but intensely interesting place for me.” Initially drawn to the idea by writing for a classical piano event, the title track Mitchell says integrates the “different pathways and possibilities” that the task could take him to. The pianist, who received acclaim for his earlier less unconventional piano solo album Equinox released in 2007 cites classical piano history specifically Zichy, Wittgenstein and Godowsky in terms of left hand-only playing, with jazz connections encompassing the music of Phineas Newborn Jr and Kenny Drew among others. On The Glimpse recorded at the Capstone Theatre in Liverpool last summer Mitchell has composed all the music except for classical composer Frederico Mompou’s ‘Prelude No 6’, which trumpeter Byron Wallen had alerted Mitchell to, and ‘Nocturne for the Left hand Alone’ by American pianist Fred Hersch, a “modern classic”, Mitchell says of it. This new album certainly makes me for one think of solo piano a little differently, as it’s like looking at a familiar building from a different angle and in so doing finding detail hitherto neglected or taken for granted. It’s about an altered reality for sure. Track six ‘The Sage’ in only five minutes and nineteen seconds the composition has a cinematic reach within this small time that is very remarkable. Rhapsodic, the restriction imposed by playing left hand only is not a barrier in the least, although as elsewhere on the album sometimes there is a feeling that it’s a bass player’s record! An innovative album then, don’t assume a thing.
Stephen Graham

The tour begins with a Royal Festival Hall foyer concert at 1pm
See for further tour dates. 
The Glimpse is released on 18 February. Robert Mitchell, above