Björn Meyer, Convergence, ECM ***1/2

I had my doubts whether this was really a good idea. A solo bass guitar record? Hmmm. But Björn’s at it again having form in this regard. Dismally, I have no recollection of the earlier Provenance – some of our younger readers weren’t even born when the album came out – and neither do I have a particular desire to hear it. Or rather didn’t before becoming besotted with this turn up for the books new kid on the block. However, I do know the now 60-year-old’s work on some classic Anouar Brahem recordings such as the 5-star The Astounding Eyes of Rita.

All on his tod – live footage from 2023.

Ah, lovely Rita, nothing can come between us. Does this new ‘un function as mindfulness? Perhaps a bit. But that’s a different thing. So, the meter fully ticking away, when you reach a track like ‘Rewired’ – where there is a dark edge lord quality to its whirligig atmospherics induced by electronics and lotions of textural flow – the idea of an aural version of a laidback beanbag and jimjam friendly daytrip to a “spa resort experience” might come to a screeching halt.

Because Meyer isn’t looking in the rear view mirror much – but where it does the album sounds ever so slightly in places like – careful now, please don’t read the next two words if of a sensitive disposition or allergic to capes – sprightly prog. This studio affair recorded in Munich in 2024, veers well away from being new age-y or pathetic. No pan pipes were involved although ‘Motion’ comes perilously close.

Advertisement

However, I did start staring at my lava lamp with a new found admiration and began to explore the idea of learning more about ley lines, growing my hair all the way down to my socks, checking into a hermitage, and becoming a vegan. That’s the power of music.

Convergence is inspiring. It’s the ideas really and the warmth of the textures. Meyer keeps things taut where necessary and there’s such exactitude on a track like ‘Magnetique’ for instance.

I like the dark, brooding pictures sometimes painted in the starker passages. But there’s also a contrastive skipping lightness and love. Björn again it’s certainly all born to run and as a work out far more up our street than being bored rigid and feeling ridiculous – again – in a gym in a forlorn attempt to fight the flab. Top of my “to do” list is to seek out time to listen to the earlier record of the Swiss based Swede’s. It’s a good sign when you are left wanting more.

Jazz GigsJazz Gigs3 May 2026Stephen Graham
PlaylistPlaylist2 May 2026Stephen Graham
Top jazz in 2026Top jazz in 20263 May 2026Stephen Graham
Previous Post

Van Morrison, Somebody Tried To Sell Me A Bridge, Orangefield ****

Next Post

Tim Garland, Geoffrey Keezer, Mezzo, Tim Garland Music ****1/2

Advertisement

Discover more from marlbank

Subscribe now to keep reading and get access to the full archive.

Continue reading