Look for Common Practice from the Ethan Iverson Quartet with Tom Harrell. 

The full personnel is: Ethan Iverson, piano; Tom Harrell, trumpet; Ben Street, double bass; Eric McPherson, drums. A live in the Vanguard album — the Village Vanguard is generally reckoned to be the greatest jazz club in the world for live jazz recordings.

Track titles include George Gershwin’s ‘The Man I Love’, taken very slowly, ‘Polka Dots and Moonbeams,’ Denzil Best’s ‘Wee’ + a brace of Iverson originals. 

Iverson writing on his blog Do the Math in 2016 noted: “When I was in high school I went every summer to the Jamey Aebersold Jazz Camp in Elmhurst, Illinois. The very first time I was placed in David Baker’s combo. 

“David Baker was a thrilling personality. He had hung out and played with major jazz figures, and we loved hearing him tell stories about the masters from the vantage point of being a casual friend.  

“One day that week Baker came in and began singing Denzil Best’s ‘Wee’ to us. No chart: We had to learn it by ear, and deal. The next day he made us play Lee Morgan’s ‘Ceora’ in all twelve keys.

“Baker was also a serious composer. I had yet to become immersed in classical music, but Baker gave me a book that was a strong indication that I should investigate more 20th-century composition.” 

This is really quite something. A stellar trio who know each other’s moves instinctively: the sound bubbling up from the drums: Ali Jackson you may know from his work at the kit within the Wynton Marsalis and the Jazz at Lincoln Center Orchestra sound; star pianist Aaron Goldberg who habitually thrives in a trio situation; and bassist Omer Avital whose own work as a leader is also worth checking out. The highly accurately exclamatory monikered, for once, Yes! Trio are on the French indie jazz label Jazz&People roster: look for Groove du jour (****) on 11 October. Seriously swinging but not at all indulgent or tired the trio keep it interesting and you feel the narration in the way they handle each tune. 

Above a live version of ‘Escalier,’ the Ali Jackson composition that opens Groove du Jour.

The album has deftly conceived and executed compositions by all three elegant players who each contribute pieces plus look drilling down for a version of Jackie McLean’s ‘Dr Jackle’ and a treatment of the Sammy Fain-Irving Kahal standard ‘I’ll Be Seeing You’. While it is not out yet marlbank had a few listens right through earlier today: Groove de la semaine — more like. Check the trailer, top and get acquainted with these sounds when you can come release time.