Reviews

Jazz at Lincoln Center Orchestra with Wynton Marsalis, We The People, Blue Engine **** recommended

This album originated from a 2019 collaboration with the Crystal Bridges Museum of American Art located in Bentonville, Arkansas.

It features twelve original compositions inspired by specific works from the museum’s collection.

Each piece corresponds to a different artwork, such as Wynton Marsalis’ title track based on Nari Ward’s sculpture of the same name.

Trinity – image: Crystal Bridges museum

Other pairings include Vincent Gardner’s ‘One Understands’ inspired by Adolph Gottlieb’s ‘Trinity’ and Elliot Mason’s ‘Summer Day’ after Frank Weston Benson’s painting.

The suite is a collaborative effort by the ensemble. Various members of the orchestra contributed arrangements rather than relying on a single composer. Christopher Crenshaw wrote ‘Black Balloon,’ Carlos Henriquez composed ‘The Cycle of Life,’ and Kenny Rampton created the very stirring ‘Mitakuye Oyasin.’

The music blends several styles, including Louisiana bayou sounds, church music and Congo Square traditions.There is a mix of blues, Afro-Latin rhythms, and traditional swing through pieces like Sherman Irby’s ‘A Hot Jam on Grand’ and Ted Nash’s ‘Au Café.’

The album serves as a companion piece to The Democracy! Suite. Both works use jazz to explore themes of unity and social progress.

As you’d expect from this stellar orchestra the musicianship is first class. It’s rare in a littered jazz landscape to hear big band music full stop. But this is unique and the JALCO sound isn’t anything like Europe’s top big band the WDR which follows a different, just as valid, approach. Perhaps JALCO is a little more old fashioned? If so does that matter? Interrogate your taste on that. It’s instructive to actually know what you are looking for as a listener.

I’d pick out ‘Summer Day’ of the tracks for its appealing languor and atmosphere where the woodwinds are mellifluously arranged. And I was moved by Marcus Printup’s ‘Salvation, Serenity, Reflection’ which is very beautiful in its expressivity and sense of narrative. There’s also plenty of puckish fun on ‘Black Balloon’, skittish trumpet playing and silky sax that transports you to another era.

The Jazz at Lincoln Center Orchestra return to Ireland in August for dates in Dublin (13 Aug) following a successful first appearance at the National Concert Hall last year and Limerick (14 August) where they play for the first time.

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Hello. I'm jazz writer Stephen Graham. This is my blog - hope you enjoy dipping into its pages and articles every so often. I hope that in time it can be like a "living source" for you if you share the feeling and sentiments expressed and echo that emotion. And even if you don't you can be harmlessly distracted while spending a few amiably diverting minutes leafing through the site's pages. Album reviews, some listings, a podcast, guest blogs, live reviews, playlists, interviews, thinkpieces and more are part of the scenery in these parts. Marlbank has been running since 2012. It's named after a beautiful place in Ireland, in Fermanagh, another kind of living source, a place that is a like a spring for the imagination. To borrow again from poet John Montague's 'The Water Carrier' such "heavy greenness fostered by water" abidingly inspires.

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