A winning array of Keith Jarrett, Phoebe Snow, Alan Pasqua, Peter Erskine, Brian Wilson and Jimmy Webb material contained within what's crafted as carefully as a choice artisanal blend.
An event release. A giant of British jazz piano returns with a bangingly swinging trio exhibition, on what is blindingly obviously a milestone recording.
Swinging French guitar icon Biréli Lagrène does not disappoint with his best album in simply years. Its sentimental insouciance and savoir faire are something of a revelation that may cure any lingering feeling, dear reader, you might possess of jadedness. Listening shakes off such torpor.
Quiet and reflective from one of the greatest classic jazz singers of our times. The Jim Tomlinson co-write with Cliff Goldmacher 'What Goodbye Is For' appeals most to me.
Currently performing through until Saturday - as a member of Unlimited Miles at the Birdland jazz club in New York along with Sean Jones, Marcus Strickland, Kurt Rosenwinkel, Ben Williams and Terreon Gully - John Beasley on Invisible Piano is here in a big band album incarnation to be released in May which features originals as well as James Taylor and Earth, Wind & Fire material on an album that takes its name from the visual cue of a 1920s Max Ernst proto-surrealist painting.
Covering Oasis, Muse and Aqua is not only a bit but a lot gimmicky. Otherwise beyond the purist baiting the trio continue doing what they have been accomplishing for a while. That is delivering accessible contemporary piano trio sounds as "invented" back in the late 1990s by the likes of e.s.t, The Bad Plus and Brad Mehldau.