Daily jazz blog, Marlbank

Jihee Heo, Flow, Origin/OA2 ***

Those green eyes with their calm look leave in my soul the eternal thirst of love. We applaud the choice of a cover of Spanish language classic 'Aquellos Ojos Verdes' aka 'Green Eyes' sung by Nat King Cole in the 1950s on his Brazil recorded …

Published: 24 Jun 2024. Updated: 12 days.

Those green eyes with their calm look leave in my soul the eternal thirst of love.

We applaud the choice of a cover of Spanish language classic 'Aquellos Ojos Verdes' aka 'Green Eyes' sung by Nat King Cole in the 1950s on his Brazil recorded Spanish language A Mis Amigos album and far more recently as an instrumental by Fred Hersch and Michael Moore so beautifully softly on This We Know (Palmetto, 2008).

The other cover here on what is largely a piano trio album by New Yorker South Korean pianist Jihee Heo is more obviously a choice perhaps but nevertheless a classic piece of repertoire that we never tire of - a version of Duke Ellington's 'In a Sentimental Mood' that has great brush work from the formidable Wyntonian Joe Farnsworth. Heo's piece 'The Late Bloomer' has appealingly bustling sax from the great altoist Vincent Herring nimbly supported by bassist Alex Claffy and Farnsworth. Claffy's own album Good Spirits on Cellar Live that Farnsworth figured on we dug in 2022.

What a good idea to have Herring on board. Check out the alto icon's wonderful Soul Jazz with his band Something Else recently reviewed in these pages. Flow is a Maureen Sickler recording at Van Gelder's made last autumn - in other words buy this for the sonics alone even if you are an avantist and think this is too infra dig for you given the complete absence of plinky plonk. Farnsworth's best bits are on the deftly grooving 'I Can See Only One Step Ahead.' Heo swings modestly it must be said and could come out of her shell more. But her tunes make sense. Herring steals the show on the very feelgood and best thing here 'The Hidden Giant' - eVincing, conVincing at at all times.

Tags: Reviews

Richard Fairhurst, Inside Out, Ubuntu ****

A new individual peak of achievement from English pianist Richard Fairhurst on this dreamy piano trio album. Almost a decade since Fairhurst's very fine Duets (Basho, 2015) - that marked a collaboration between erstwhile Leicester scene jazzer …

Published: 23 Jun 2024. Updated: 13 days.

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A new individual peak of achievement from English pianist Richard Fairhurst on this dreamy piano trio album. Almost a decade since Fairhurst's very fine Duets (Basho, 2015) - that marked a collaboration between erstwhile Leicester scene jazzer Fairhurst and the late great John Taylor of Azimuth renown - this goes deep and marks a new phase in Fairhurst's approach.

Why, pray? Our hunch is that the key to the album's success is found on the title track 'Inside Out' itself. Because it has a pronounced freer, more improv-redolent, dimension to it. That's even when you think a certain off-kilter experimental outlook was also a factor as long ago as the Hungry Ants days. That was when Iain Ballamy (who turned 60 this year) in particular proved a paterfamilias-like mentor to the younger Fairhurst. And still here is the pianist's drummer, Tim Giles - now in his mid-forties - still connecting as if via ESP in a parapsychological rather than Shorterian one - all these years on. And that high wire act direction is partly why the album succeeds given such thinking that then becomes a catalyst into cracking the code for further artistic growth with other matching material gathered around it. A&R wise (self-curated?) the album is very considered. Fairhurst, 50 this year, made his name with a series of albums on Oliver Weindling's Babel label with the Hungry Ants beginning in the mid-1990s. And the pianist reunites once again with fellow Ant drummer Giles joined by Cornwall born bassist Dave Whitford (Satori).

Featuring Fairhurst originals and a brace of arrangements of Carla Bley pieces covering such material as Bley's 'Vashkar' first recorded by Carla's then husband Paul Bley on 1963 Savoy album Footloose! and interpreted a good deal since most notably on Marcin Wasilewski trio 2021 classic En Attendant, its inclusion matches other IO choices beautifully.

No - Godot doesn't pitch up on Inside Out - ''he?'' wouldn't, would he (she/it/they - Brian)? And didn't on the Wasilewski either. But to be perfectly frank the Wasilewski 3's is a greater version. Nevertheless, Fairhurst is a player whom you need to hear and Inside Out also has some of Giles' best work found on any of his numerous recordings. His suspense laden detonations at the beginning of 'Vashkar' are proof of a notable destination ahead.

Fairhurst, Whitford and Giles are at the 1000 Trades pub on Frederick Street in Birmingham on Friday