Daily jazz blog, Marlbank

Soldier introduces Paul Mottram's Seven Ages of Man

While Seven Ages of Man isn't out until the autumn a firm indication of its nature emerges with the streaming of the vibrant 'Soldier' from the 70-minute work scored for jazz sextet and string orchestra written by film and TV composer Paul Mottram …

Published: 11 Jul 2023. Updated: 11 months.

While Seven Ages of Man isn't out until the autumn a firm indication of its nature emerges with the streaming of the vibrant 'Soldier' from the 70-minute work scored for jazz sextet and string orchestra written by film and TV composer Paul Mottram and featuring saxophonist/bass clarinettist Tim Garland, pianist Jason Rebello and vibist Jonny Mansfield. Conceived around the ‘All the World’s a Stage’ speech in Shakespeare’s As You Like It this musical life journey with added prologue movements Mottram says quoted by issuing label Ubuntu is a reunion of sorts.

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''It's always been an ambition of mine to write a classically structured long form jazz composition for Tim Garland, who's been a friend and an inspiration since we met at the Guildhall School of Music and Drama in the 80s.''

Drummer Ralph Salmins known in the 1990s for his work with Guy Barker, Jacqui Dankworth and in more recent years with The Waterboys, bassist Misha Mullov-Abbado and percussionist Paul Clarvis are also on the record - the album was recorded in Studio 1 of Abbey Road.

'Soldier' has a fantastic Chick Corea-esque dynamic energy to it and begins with a Vangelis-like swagger that recalls Chariots of Fire in the opening shimmer, deftly deferring to ominous piano and industrious strings and works up quite a heat featuring some absorbing Garland soloing that never allows the drama of the writing to let up. It certainly augurs well as an introduction to the October release and is one of the most large scale new releases to emerge from the UK jazz scene scheduled for the latter part of 2023.

Tim Garland, above left, and Paul Mottram photographed in Abbey Road. Image: via Ubuntu

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Bendik Giske, Bendik Giske, Smalltown Supersound ***1/2

If you are an Evan Parker fan and like the repetition, the playing with the squally, freer ends of the saxophone's outer limits you will find something like a flicker of recognition here from Norwegian saxophonist Bendik Giske although it is far …

Published: 11 Jul 2023. Updated: 11 months.

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If you are an Evan Parker fan and like the repetition, the playing with the squally, freer ends of the saxophone's outer limits you will find something like a flicker of recognition here from Norwegian saxophonist Bendik Giske although it is far more melodic and has a more finely concentrated vocabulary compared to what Parker produces. It's easy to listen to as you wiz through the almost zen-like routines that flow easily from one tributary to another and then satisfyingly into a bigger pool of sound as the strands of ideas coalesce say into the anthem like swagger of 'Not Yet' or hover like a butterfly on 'Rhizome' where Giske is a little in the Colin Stetson-like zone. The droney 'End' does not work quite so well but the bigger picture is this largely works as a concept. Produced by electronica producer Beatrice Dillon there's a Dillon remix of album track 'Rise and Fall' that fills out the sound in a different way and sits well with the rest of the tracks. There's a well developed individuality that lifts this above a lot of similar efforts, sends you to clubland and back. Is it jazz - does that matter? Reader decide. Bendik Giske, above, photo: press, plays the ICA London on 6 October