Daily jazz blog, Marlbank

US jazz album of the week: Stefon Harris, Sonic Creed Vol II: Life Signs, Motéma ****

''The year of the vibes'' might be another shorthand way of looking at 2024 so far with so many quality releases featuring the instrument - including Joel Ross' Nublues, Live Edge and Steve Nelson's Closing Time, Cloudmakers Trio with Leo …

Published: 25 Jun 2024. Updated: 8 days.

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''The year of the vibes'' might be another shorthand way of looking at 2024 so far with so many quality releases featuring the instrument - including Joel Ross' Nublues, Live Edge and Steve Nelson's Closing Time, Cloudmakers Trio with Leo Genovese's A Drop of Hope in the Cloud of Uncertainty and more. And now another master Stefon Harris enters the fray with a recording every bit as good as all of the above delivered in its own sweet way.

The first Sonic Creed volume had vocals from Jean Baylor. Six years on from that first instalment that saw the Bobby Hutcherson mentored US vibist Harris, now 51 - a former member of the SF Jazz Collective whose own records go back to his Blue Note debut A Cloud of Red Dust in the late-1990s - with players like Terreon Gully and Casey Benjamin both on this new recording. Saxist Benjamin sadly died earlier this year aged just 45. Also back are the Methenyian James Francies and Terence Blanchard bassist Joshua Crumbly. The earlier album was more soul-jazz flavoured with tips of the hat to Bobby Timmons and Horace Silver key.

This time around this latest on Motéma - the Jana Herzen founded Harlem indie jazz label who first broke the phenomenon that is Gregory Porter - Harris' vibes & marimba tender tour de force arrangement of Stevie Wonder's T.O.N.T.O. synth flavoured 'You and I (We Can Conquer the World)' from 1972's Talking Book covered in recent years to Grammy winning acclaim by Jacob Collier is a big draw.

And Harris original 'I Know Love' among the tunes also resonates with us. Featured players include swinging violin icon Regina Carter, guitarist Mike Moreno and the defining jazz flautist of her generation - Elena Pinderhughes. There's an appealingly ''woody'' flavour to opener 'Life Signs' while 'Flood of Truth' flavoured by Carter is more open ended and texturally very different. And there's so much optimism in beautifully arranged 'The Devil in the Details' that has Moreno on it. Heartfelt and at times romantic best tracks are the languorously measured cover of the Stevie classic and the wraparound warmth you gain from 'I Know Love' would light up a very large town.

Tags: Reviews

Live album, top Eurojazz & album of the week: Tomasz Stańko Quartet, September Night, ECM *****

The performance element of September Night - the accidentalism of a night that is long gone when something particular somehow happened - was created then. We only in the wider world know it now. Maybe you were even there in the Munich concert hall …

Published: 24 Jun 2024. Updated: 7 days.

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The performance element of September Night - the accidentalism of a night that is long gone when something particular somehow happened - was created then. We only in the wider world know it now. Maybe you were even there in the Munich concert hall that night 20 years ago. Since then Stańko departed this mortal coil in 2018 and this is a gift from beyond the grave with some of the musicians who understood him best in the stirred by Soul of Things and Suspended Night period of his life out on the road - Europe's greatest living jazz pianist Marcin Wasilewski (reason for saying that, En Attendant) here with double bassist Sławomir Kurkiewicz and drummer Michał son of Henryk ''More Love'' Miśkiewicz. Certainly an instant classic - live album of the week and one of Manfred Eicher's best productions in a long while and of course his bar is set exceptionally high. What's here is up there in the Stańko pantheon with Leosia, the trumpeter's greatest album and all the more remarkable given that September Night was created live. Interestingly even Leosia's magical 'Euforila' seems reborn given Sławek's ability to seize the day. Sheer poeticism - in dreams - is what makes this album so miraculous above all else and surely the ultimate aspiration of any aesthete.