Sidewalk Boogie down the Gasworks conjure ‘Dark Eyes’

Mo Colllins at the mic with Rory Gill on bass guitar playing with Sidewalk Boogie

At the Gasworks during the first set of their FLive 2025 comeback gig newcomer bassist Rory Gill, a jazz alumnus of Dublin City University known for his work with Bourbon Street Jazz Trio, son of the blues band Sidewalk Boogie guitarist Cris Gill (Rico Rodriguez, Ben Waters, Gaz Mayall), showed his mettle anchoring the band in for the band’s “godfather” – as singer Mo Collins dubbed the habitually pork pie hat wearing – Roni McManus.

The Sidewalk Boogie arrangement took the banging gypsy jazz tune into a ska feel at the end. The tune goes back further than Django, Tommy Dorsey did it in a big band swing style but the melody is attributed to 19th century German-Polish composer Florian Hermann’s ‘Rêverie russe, Op. 2.’ It’s sometimes known as ‘Black Eyes’. Worth steppe-ing out to, pun intended. As they say: there’s nothing new under the sun and the joy is in the interpretation. Certainly there was a whole lotta shaking going on and a bit of spontaneous terpsichore breaking out even though the booze hadn’t really kicked in at that point when the Boogie started jangling along to this. The Red Army choir who also have done a version that made it on to, I kid you not, The CCCP Years thankfully weren’t present and didn’t invade the stage. Probably just as well. Never mind the balalaikas.

Best bit of a first set that took a little while to settle was easily the tune that ended the opening segment, an arrangement of ‘Dark Eyes’ that jauntily took us on an unexpected ska journey where rhythmically keyboardist Caolan Hutchinson playing a Korg electric piano added a certain dynamism roused by an on-form Des Campbell at the kit.

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