Your Brother’s Keeper, Gary Bartz, Where Rivers Meet Brownswood Recordings ★★★★☆

Tracks streaming so far

Gary Bartz’s latest collaboration finds the veteran saxophonist now 85 in sympathetic company. Where Rivers Meet pairs his searching, warm-toned timbre and authorial sound with London’s newly assembled collective Your Brother’s Keeper, a group that favours atmosphere, patience and collective interplay over overt display.

The album grows from improvisation. Ideas emerge gradually. Grooves are suggested rather than stated. The musicians leave space for one another and the music benefits from that restraint. Bartz remains the focal point, his alto carrying the authority of experience without dominating proceedings.

The most striking aspect is the integration of electronic textures. Modular processing and subtle post-production treatments surround the ensemble without overwhelming its acoustic core. The approach recalls spiritual and modal traditions while avoiding simple nostalgia.

A live version of ‘Ground Loop’

One of the tracks streaming so far the tender, aching, ballad ‘Cauldron’ captures much of the album’s character. It is fluid, spacious and quietly intense. Elsewhere, the collective improvisations unfold with a natural logic that reflects the trust developed between the players over several years.

The record’s openness is its strength. Rather than presenting Bartz as a guest soloist, the ensemble places him inside a shared conversation. Personnel with Bartz are Ali MacSween (piano, synthesizers and modular FX), Axel Kaner-Lidstrom (trumpet), Twm Dylan (double bass), Tim Doyle (percussion), Chelsea Carmichael (tenor saxophone), quite brilliant on the album – remember the clarion cry of her sound on Native Rebel 2021 release The River Doesn’t Like Strangers and Jake Long (drums).

Back in 2020 I was blown away by the Long led Maisha’s work with Bartz on ‘Harlem to Haarlem.’ Click above if not familiar with that epic.

Just as inspiring Where Rivers Meet succeeds as a genuine meeting of generations. Rooted in jazz history but attentive to contemporary sound worlds, it offers thoughtful, unhurried music that rewards close listening. Look for it on 19 June.

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