In a word to answer the question above, plenty. Site to bookmark for instance: Dublin promoter IMC runs an Irish scene listings service. The list at the moment details regular Dublin jazz jam sessions at the Grand Social and Arthur’s on Mondays, an improv special with trombonist Paul Dunlea, above, in Cork at the Crane Lane on Tuesdays and a host of other gigs dotted around Ireland. The website address is here.
• Another listings site Jazz Ireland is also available for a bird’s eye view of the ever developing scene.
Look for the latest from the distinguished trumpeter Wallace Roney setting the autumn agenda big time in a classic hard bop direction first listens suggest. To be issued on the High Note label as summer fades into early autumn when the full album is out saxophonist Emilio Modeste, pianist Oscar Williams II, bassist Paul Cuffari, and drummer Kojo Odu Roney are on Blue Dawn, Blue Nights made at Van Gelder’s in New Jersey. Guitarist Quintin Zoto and drummer Lenny White complete the album collective personnel.
Wallace Roney emerged from the Ali’s Alley scene as a teen. With Miles he appeared on Miles and Quincy Live at Montreux. Roney is and remains a global force to be reckoned with. These sonic glimpses underline that. The countdown begins.
“The nominations have today been announced for the 2019 Parliamentary JazzAwards, organised by the All Party Parliamentary Jazz Appreciation Group (APPJAG) with the support of PizzaExpress Live.
The nominees include a broad array of jazz talent from the UK jazz scene.
The award categories reflect the ever-increasing scope of talent from within the UK’s jazz scene: Jazz Vocalist of the Year; Jazz Instrumentalist of the Year; Jazz Album of the Year; Jazz Ensemble of the Year; Jazz Newcomer of the Year; Jazz Venue of the Year; Jazz Media Award; Jazz Education Award; and the Services to Jazz Award.
Following the online public vote for the Awards, the shortlist was then voted upon by a selection panel, who represent a broad cross-section of backgrounds united in their passion and knowledge of jazz. The winners, chosen by judging members of the All Party Parliamentary Jazz Appreciation Group (APPJAG), will be announced at the awards ceremony at PizzaExpress Live, Holborn, London on Tuesday 3rd December 2019.
Kelvin Hopkins MP, Co-Chair of APPJAG, said: “These shortlists demonstrate the wealth of talent and commitment that exists in the British jazz scene. Now in its 15th year, the Parliamentary Jazz Awards honours the best of British jazz. MPs and Peers in the All Party Group are delighted to host another ceremony at Pizza Express Live and we are extremely grateful to PizzaExpress Live for supporting the event.”
Jazz Vocalist of the Year
Jazz Instrumentalist of the Year
Jazz Album of the Year
Sons Of Kemet – “Your Queen Is A Reptile”
Adrian Cox – “Profoundly Blue”
Fergus McCreadie – “Turas”
Jean Toussaint – “Brother Raymond”
Jazz Ensemble of the Year
London Vocal Project
Gareth Lockrane Big Band
Jazz Newcomer of the Year
Jazz Venue of the Year
Marsden Jazz Festival
Bebop Club, Bristol
Watermill Jazz Club, Dorking
Verdict Jazz Club, Brighton
Jazz Media Award
Kevin Le Gendre
Ian Mann – Jazzmann
Jazz Education Award
Services to Jazz Award
Dame Cleo Laine”
Marlbank asked what the dates are, in which city they will take place, and if there will be a separate jazz event as in some recent years. Henk Elzenga, a director of the MOBOs replied by email: “We are hoping to bring the Awards back in November – we are working on it and will need to know soon. A day and venue have been pencilled in yet funding is the challenge. Not sure at this point what and if we can do anything around gospel and jazz specifically for that same reason.” SG
Remember how Rymden appeared so stirringly earlier this year? Cast your minds back.
Dan Berglund, above left, Bugge Wesseltoft and Magnus Öström whose Reflections and Odysseys was an 8 February release. In terms of tick boxes: yes to absorbing metrical investigation, lots of electricity, big bass and energetic drums. No however to navel gazing and ponderous pomposity which often bedevils prog-jazz.
This style is the antithesis of ambient Nordic spaciousness and it is a busy sound. On a tune like ‘Pitter Patter’ however you can source the sound back to say Chick Corea because Wesseltoft using the Rhodes electric piano knows that terrain inside out and manages to sound ahead of the game even when the sound of the Rhodes is everywhere this last decade.
‘The Lugubrious Youth of Lucky Luke’ is probably the most EST-like of all the tunes, a slow ballad that takes its time to unfold after a folk-ish opening melodic mood is established by Wesseltoft on piano with almost a country lilt to it.
‘Homegrown’ in a major rather than minor mood at the end is a beauty and shows this band are not afraid to use warm and rich melody, cadences to die for, to their advantage without being at all twee.
If you are an EST fan you will see how time is a healer and how too Bugge Wesseltoft is the perfect person to harness the beauty of that band and paint new pictures with the spirit and all that heart. Everything glues together which may have been the hope but certainly to these ears is the reality. SG
Rymden are headliners on the final night of this autumn’s Punkt held over 5-7 September.