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In a Mayan mood, yes that’s ‘doom’ backwards, I’ll return to the endless search for even more genres-within-genres touched on in an earlier piece and what’s been dubbed ‘doom piano’. Why not?, even if it is a fairly meaningless term especially in terms of Norwegian band Splashgirl whose Field Day Rituals is released in February by Hubro, a label that just this week has announced its intention to withdraw from streaming sites. The label, on Twitter, said it took the decision “together with our great artists" to pull the plug on streaming from 2013. Maybe more indie jazz labels will follow Hubro’s lead if sites such as Spotify prove to turn out not to be the promo paradise that many judged them to be. The royalties are certainly tiny for niche or even not so niche music, and a listen or two might actually be all listeners opt for, and they won’t then get to know the band by buying the CD or vinyl. I’ve only heard a track so far from the unreleased album (‘Dulcimer’) and it’s not what you’d think, the track floats like Nordic alt.folk tinged with the New Melodicism a band like Danes Girls in Airports tend to conjour up in terms of atmosphere, but here there’s also an almost Celtic feel in the humanising gracenotes of the track’s lilt. Splashgirl, Andreas Stensland Løwe (piano/electronics), Jo Berger Myhre (double bass/tone generator), and Andreas Lønmo Knudsrød (drums, percussion), have been around for a while, and some jazz purists broke out in a rash when they heard their earlier album Pressure. ‘Dulcimer’ is the balm to their fever. SG

The cover of Field Day Rituals pictured above

Listen to ‘Dulcimer’ via http://marlbank.tumblr.com/post/36590925946/46666

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Mingus Ah Um is inducted into the Grammy Hall of Fame in 2013, and last night at a memorial gig for the jazz photographer Peter Symes, ‘Fables of Faubus’, from the album, got the second set off to a flying start performed by the Chris Biscoe Profiles Quartet at the Spice of Life backstage bar venue in Soho. Profiles is shortly to release a new CD called Live at Campus West, recorded in Hertfordshire’s Welwyn Garden City. Biscoe has had a busy autumn appearing with various bands he leads also performing with composer Mike Westbrook whose trio the Somerset-born reeds player has been a member of for 30 years. Three into Wonderfull released to coincide marked this anniversary admirably.

A man of many interests, Biscoe has explored the music of Eric Dolphy extensively, as well as that of Mingus with Profiles for some years now, and last night at Paul Pace’s Spicejazz session in the basement club a short distance from the Palace Theatre appeared with fellow quartet members saxophonist Tony Kofi and bassist Larry Bartley (who also play together in Abdullah Ibrahim’s Ekaya), and drummer Stu Butterfield known for his work as a member of the Henry Lowther/Jim Mullen quartet. Last night’s excellent gig was a fitting tribute to Peter Symes, who died just over a year ago and who was well known and respected for his fine photographic coverage of the UK jazz scene over many years. SG

Profiles pictured above photographed in 2008 by Peter Symes