Friday 13 September will be the release date of the upcoming live album Reflections, Transformations, Improvisations by flautist bandleader Eddie Parker’s Debussy Mirror Ensemble. Tracks are: La Chevelure, De Soir, Little Shepherd, Claire de Lune, X-Boite a Jou Jou, Eventail, Syrinx, si doucement perdue, and Il Pleut. The ensemble made up of a dozen players spanning the classical and jazz disciplines was put together last year to mark the centenary of the death of Debussy for a series of gigs and spawned this recording made into their debut album.
Have a listen to the deeply soulful brutally honest ‘Simple Man’ a cover of a number by Pops Staples & the Staples Singers. Close your eyes you may also want to go to dig out your old Bill Withers records suitably inspired, believe me.
The latest promo made publicly available on YouTube by the issuing label is drawn from the upcoming Robert Randolph and the Family Band album, Brighter Days which is to be released on 23 August.
I enjoyed ‘Have Mercy’ put out in May which remains a bit of a must and the more engrossing of the two tracks, a heartfelt take refuge message song because it is gospel after all shaped by a laidback groove to die for. Sacred steel specialist Randolph and his band worked with producer Dave Cobb on Brighter Days. The Family Band features Robert’s cousins bassist Danyel Morgan and drummer Marcus Randolph along with his sister, vocalist Lenesha Randolph. Both tracks are utterly convincing even beyond the gospel genre (maybe within, people have their own notions so it is hard to gauge reaction there) and for sure appeal to jazz fans if I am at all typical.
From Here & Now released by Los Angeles label Ghost Note Records. David Binney is known as an avant saxophonist and composer and has a sizable international jazz club-attending following. Catch up for instance by hearing his enjoyable guest spot on Joe Locke Subtle Disguise track ‘Red Cloud’ last year where he got the energy level right up. His vocals side is lesser known but is only a small part of the complete picture because he chooses on the album to multi-track electronics, burning sax, synths, vocals, bass, guitar, and he has a number of guests as part of the sound who include man of the moment drummer Louis Cole on one track, Jacob Richards on two, Pedja Milutinovic on a couple and bassists Logan Kane and Pera Krstajic also on a couple each. The album, which has a roving post-jazzrocktronica gleam to it early listens digging deep suggest, was recorded in the States both on the east and west coasts and in the Balkans: over in the Serbian capital, Belgrade.
At the Proms this summer look out for the Jules Buckley curated and conducted Nina Simone-themed “Mississippi Goddam: A Homage To Nina Simone” featuring soul singers the multiple Grammy nominated Ledisi and Rolling Stones backing singer Lisa Fischer. Buckley, a Proms regular, conducts the Metropole Orkest from the Netherlands. The Albert Hall concert is on Wednesday 21 August and will be shown on BBC Four TV on Friday 30 August and aired on Radio 2 at a date to be decided. More details.
Hard boppers and Blue Note heads rejoicedat the prospect of the Dizzy Reece Routes In Jazz tribute tour this year. Byron Wallen, Ralph Moore, Willie Jones III, Dezron Douglas and bandleader Trevor Watkis (above) combined to pay sincere homage to the great trumpeter whose style and taste endures down the generations. The English dates of the tour did well. Sadly Tony Hall who produced the classic Blues in Trinity — recorded in a London studio and not Paris as reckoned for years following on from its 1959 initial release — passed away recently. However, the Reece legend grows bigger by day and the tour moves this autumn to New York where Dizzy Reece lives, with an October date scheduled for Dizzy’s, as in Diz — nestled within Jazz at Lincoln Center, Columbus Circle. Tickets.
From a Patrick Zimmerli composed and arranged album performed by saxophonist Joshua Redman and Brooklyn Rider. Briefly, what you might be interested in knowing as you listen and scroll: The eight compositions are from a suite; that suite, which amounts to (in record terms) a concept album is about light; they were premiered at top chamber (and occasionally jazz) venue Wigmore Hall in London close to Cavendish Square five years ago; album personnel include bassist Scott Colley and drummer Satoshi Takeishi.
In terms of style listen to Redman album Walking Shadows to get in the zone if you have time first. If you are familiar with that direction: no worries. (If you were not it was a Brad Mehldau produced ballads-heavy album characterised by an orchestral ensemble shaped around a core jazz quartet.)
Zimmerli is from New York and also works in Paris while Brooklyn Rider are a musically curious chamber ensemble who choose repertoire from many styles and who released The Butterfly with Martin Hayes. Sun on Sand is to be released in October by Joshua Redman’s long time label, the Warners distributed major label imprint Nonesuch.