Cream of the crop: top Eurojazz
Eurojazz best-of so far in 2026
As anyone who has read Brad Mehldau’s brilliantly vivid and honest memoir Formation will know, the pianist is a fine prose writer as well as everything else. Check out the American’s Substack for a new essay that I spotted earlier today which is pretty thought provoking. I think it went up recently. He takes on a few sacred cows and describes his recent gigs playing in New York and hanging out and how he is distrustful of spending too much time on things like Instagram and Facebook.
Applications open in June.
Afro-Cuban jazz is experiencing a moment thanks to this.
One Jazz marks 100 years of Miles Davis with a 48-hour global broadcast
Liverpool’s Sefton Park is the place to be this summer for a major 2026 line-up led by Fatoumata Diawara, Patoranking
A naturalistic, gentle listen full of sweeping chordal washes and mindful malarkey.
There’s a lot of spirit in the rendition here of a strong selection of tunes including material by Quincy Jones and Milton Nascimento.
Charming harmonica and guitar duetting. Includes tunes by Bill Frisell and Enrico Pieranunzi.
The use of vibes against sax and the choice of tunes are some of the reasons to like this swinging latest from Scott Hamilton
A south coast of England sound that is big on mindfulness and gentle melodic development.
An ambient, late night kind of listen factoring in originals of Canada born guitarist Matthew Stevens plus Leadbelly and Sonny Sharrock numbers
Landing empathetically in the special place that is the Kenny Wheeler and John Taylor universe, this is an album introducing a new duo that wards off ennui and rewards deep listening so tenderly.
The SWR has had a good year for releases. I liked the collab with Paul Carrrack. Even better is this from John Beasley. Originals as well as James Taylor and Earth, Wind & Fire material figure on an album that takes its name from the visual cue of a 1920s Max Ernst proto-surrealist painting.
This homage to the north east is certainly about local pride. Its appeal if you are not from there is more debatable.
Jaunty, rather lovely, English folk and some Americana and improv directions figure on newly surfacing Somerset band Lorikeet’s Woven.
Laugh at Yourself stands out most, where Eric Roberson duets winningly.
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